Skip to content

Portofolio of latest appraisals

> Our Art Appraisers and Antiques Specialist

Art Appraiser
Andres Gomez

Andrés Gómez

MSc, BSc Antiques Expert and Art Appraiser with over 10 year of experience. Andrés has worked as an online independent appraiser expert, serving over 100k customers along his carrer.

Score 5/5 from 56,369 reviews

> Latest Appraisals made

A Fine Quality Hand Signed Limited Edition Print Kamy Deljou (b. 1957) Mixed Media on Paper, edition 1 out of 1, only one made. The art is 15 inches x 15 inches. The artwork showcases an interior architectural scene, akin to an entryway or hall of a grand, historic building. The soft and somewhat muted color palette provides a sense of antiquity and diminishes the distinction between inside and outside space, embracing a dream-like quality. The use of light and shadow suggests depth and volume, drawing the viewer’s eye towards the central doorway, which could symbolize a passage or transition. The technique exhibits a loose brushwork, implying a blend of realism with impressionistic touches. The composition balances detail and abstraction, inviting personal interpretation and emotional response. The frame shows signs of wear, indicating that the artwork has been appreciated over time.
A Fine Quality Hand Signed Limited Edition Print Kamy Deljou (b. 1957) Mixed Media on Paper, edition 1 out of 1, only one made. The art is 15 inches x 15 inches. The artwork showcases an interior architectural scene, akin to an entryway or hall of a grand, historic building. The soft and somewhat muted color palette provides a sense of antiquity and diminishes the distinction between inside and outside space, embracing a dream-like quality. The use of light and shadow suggests depth and volume, drawing the viewer’s eye towards the central doorway, which could symbolize a passage or transition. The technique exhibits a loose brushwork, implying a blend of realism with impressionistic touches. The composition balances detail and abstraction, inviting personal interpretation and emotional response. The frame shows signs of wear, indicating that the artwork has been appreciated over time.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »A Fine Quality Hand Signed Limited Edition Print Kamy Deljou (b. 1957) Mixed Media on Paper, edition 1 out of 1, only one made. The art is 15 inches x 15 inches. The artwork showcases an interior architectural scene, akin to an entryway or hall of a grand, historic building. The soft and somewhat muted color palette provides a sense of antiquity and diminishes the distinction between inside and outside space, embracing a dream-like quality. The use of light and shadow suggests depth and volume, drawing the viewer’s eye towards the central doorway, which could symbolize a passage or transition. The technique exhibits a loose brushwork, implying a blend of realism with impressionistic touches. The composition balances detail and abstraction, inviting personal interpretation and emotional response. The frame shows signs of wear, indicating that the artwork has been appreciated over time.

This is a Limited Edition Hand Signed Print by Graciela Rodo (La Paz; 16 de febrero de 1935), Composition titled “Kiosque A Musique”  edition 92/250, art print 28 3/4 inches x 33 3/4 inches. The artwork exudes a sense of whimsy and nostalgia, capturing the simple joy of music and childhood. Rendered in a soft color palette with delicate textures that suggest a dreamlike quality, the figures merge human and animal characteristics, creating an atmosphere of fantasy. The musicians, adorned in vibrant stripes and varied patterns, direct their focus inward, engrossed in the act of making music. The elongated umbrellas add a touch of whimsy, enhancing the playful nature of the scene. The artwork appears to be in good condition, the colors vibrant and clear, and it remains well-preserved within the frame.
This is a Limited Edition Hand Signed Print by Graciela Rodo (La Paz; 16 de febrero de 1935), Composition titled “Kiosque A Musique” edition 92/250, art print 28 3/4 inches x 33 3/4 inches. The artwork exudes a sense of whimsy and nostalgia, capturing the simple joy of music and childhood. Rendered in a soft color palette with delicate textures that suggest a dreamlike quality, the figures merge human and animal characteristics, creating an atmosphere of fantasy. The musicians, adorned in vibrant stripes and varied patterns, direct their focus inward, engrossed in the act of making music. The elongated umbrellas add a touch of whimsy, enhancing the playful nature of the scene. The artwork appears to be in good condition, the colors vibrant and clear, and it remains well-preserved within the frame.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »This is a Limited Edition Hand Signed Print by Graciela Rodo (La Paz; 16 de febrero de 1935), Composition titled “Kiosque A Musique” edition 92/250, art print 28 3/4 inches x 33 3/4 inches. The artwork exudes a sense of whimsy and nostalgia, capturing the simple joy of music and childhood. Rendered in a soft color palette with delicate textures that suggest a dreamlike quality, the figures merge human and animal characteristics, creating an atmosphere of fantasy. The musicians, adorned in vibrant stripes and varied patterns, direct their focus inward, engrossed in the act of making music. The elongated umbrellas add a touch of whimsy, enhancing the playful nature of the scene. The artwork appears to be in good condition, the colors vibrant and clear, and it remains well-preserved within the frame.

A Fine Quality Hand Signed Limited Edition Canvas Print, Framed, by Listed American Artist Thomas Kinkade, Depicting a Rural Landscape Scene, Snowed Cottage, circa mid to late 20thC in Impresionist Style. 193 out of 200 Made in AP edition.
A Fine Quality Hand Signed Limited Edition Canvas Print, Framed, by Listed American Artist Thomas Kinkade, Depicting a Rural Landscape Scene, Snowed Cottage, circa mid to late 20thC in Impresionist Style. 193 out of 200 Made in AP edition.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »A Fine Quality Hand Signed Limited Edition Canvas Print, Framed, by Listed American Artist Thomas Kinkade, Depicting a Rural Landscape Scene, Snowed Cottage, circa mid to late 20thC in Impresionist Style. 193 out of 200 Made in AP edition.

An Original Painting by Listed Artist Roland Reiss (American, 1929–2020) titled ” The Redhead ” In Frame Signed With Paperwork Good used condition size is 24.5″w x 30.5″h, It depicts an abstract scene of woman in sand
An Original Painting by Listed Artist Roland Reiss (American, 1929–2020) titled ” The Redhead ” In Frame Signed With Paperwork Good used condition size is 24.5″w x 30.5″h, It depicts an abstract scene of woman in sand

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »An Original Painting by Listed Artist Roland Reiss (American, 1929–2020) titled ” The Redhead ” In Frame Signed With Paperwork Good used condition size is 24.5″w x 30.5″h, It depicts an abstract scene of woman in sand

A Fine Quality LE Print by Listed Artist Emanuel Mattini (Persian, b. 1966), 36 3/4 inches x 27 1/2 inches, framed. The artwork is a complex and abstract print featuring a juxtaposition of musical instruments, mainly a trumpet, a piano keyboard, and what appears to be a stringed instrument like a violin or viola. Earthy tones and pastel colors create a dreamlike atmosphere, while the textured background suggests a sense of age or antiquity. The placement of the musical elements seems to defy gravity, evoking a feeling of surrealism or expression of music’s timeless and ethereal nature.
A Fine Quality LE Print by Listed Artist Emanuel Mattini (Persian, b. 1966), 36 3/4 inches x 27 1/2 inches, framed. The artwork is a complex and abstract print featuring a juxtaposition of musical instruments, mainly a trumpet, a piano keyboard, and what appears to be a stringed instrument like a violin or viola. Earthy tones and pastel colors create a dreamlike atmosphere, while the textured background suggests a sense of age or antiquity. The placement of the musical elements seems to defy gravity, evoking a feeling of surrealism or expression of music’s timeless and ethereal nature.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »A Fine Quality LE Print by Listed Artist Emanuel Mattini (Persian, b. 1966), 36 3/4 inches x 27 1/2 inches, framed. The artwork is a complex and abstract print featuring a juxtaposition of musical instruments, mainly a trumpet, a piano keyboard, and what appears to be a stringed instrument like a violin or viola. Earthy tones and pastel colors create a dreamlike atmosphere, while the textured background suggests a sense of age or antiquity. The placement of the musical elements seems to defy gravity, evoking a feeling of surrealism or expression of music’s timeless and ethereal nature.

Painting titled “The Good Old Days” by Listed Artist LLouis Charles Moeller (5 August 1855 – 1930, was an American genre painter). The artwork is a vivid oil painting, rich in detail and color, depicting three elderly men engaged in what appears to be a moment of contemplative discussion or decision-making. The painterly style suggests realism, with a focus on capturing the nuanced expressions and interactions between the figures. The characters are rendered with lifelike textures and folds in their clothing, highlighting the artist’s skill in portraying the varied textures of fabric, hair, and skin. Earthy tones and controlled use of lighting contribute to the intimate atmosphere and emphasize the subjects’ faces, drawing the viewer’s attention to their emotional gravity. The cluttered table with papers suggests intellectual or administrative activity, possibly in a domestic or informal business setting.
Painting titled “The Good Old Days” by Listed Artist LLouis Charles Moeller (5 August 1855 – 1930, was an American genre painter). The artwork is a vivid oil painting, rich in detail and color, depicting three elderly men engaged in what appears to be a moment of contemplative discussion or decision-making. The painterly style suggests realism, with a focus on capturing the nuanced expressions and interactions between the figures. The characters are rendered with lifelike textures and folds in their clothing, highlighting the artist’s skill in portraying the varied textures of fabric, hair, and skin. Earthy tones and controlled use of lighting contribute to the intimate atmosphere and emphasize the subjects’ faces, drawing the viewer’s attention to their emotional gravity. The cluttered table with papers suggests intellectual or administrative activity, possibly in a domestic or informal business setting.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »Painting titled “The Good Old Days” by Listed Artist LLouis Charles Moeller (5 August 1855 – 1930, was an American genre painter). The artwork is a vivid oil painting, rich in detail and color, depicting three elderly men engaged in what appears to be a moment of contemplative discussion or decision-making. The painterly style suggests realism, with a focus on capturing the nuanced expressions and interactions between the figures. The characters are rendered with lifelike textures and folds in their clothing, highlighting the artist’s skill in portraying the varied textures of fabric, hair, and skin. Earthy tones and controlled use of lighting contribute to the intimate atmosphere and emphasize the subjects’ faces, drawing the viewer’s attention to their emotional gravity. The cluttered table with papers suggests intellectual or administrative activity, possibly in a domestic or informal business setting.

An antique metal vase (brass) with black patina (no copper) that suggests circa early 20thC. It features intricate engravings, possibly of an Asian-style dragon among clouds, which could indicate an origin in Chinese or similar East Asian cultures. The neck is slender, expanding to a bulbous body, typical of certain historical styles. It is a hand engraved vase with hand-joint pieces. Unmarked, origin South China.
An antique metal vase (brass) with black patina (no copper) that suggests circa early 20thC. It features intricate engravings, possibly of an Asian-style dragon among clouds, which could indicate an origin in Chinese or similar East Asian cultures. The neck is slender, expanding to a bulbous body, typical of certain historical styles. It is a hand engraved vase with hand-joint pieces. Unmarked, origin South China.

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »An antique metal vase (brass) with black patina (no copper) that suggests circa early 20thC. It features intricate engravings, possibly of an Asian-style dragon among clouds, which could indicate an origin in Chinese or similar East Asian cultures. The neck is slender, expanding to a bulbous body, typical of certain historical styles. It is a hand engraved vase with hand-joint pieces. Unmarked, origin South China.

From the Shoe Fetish collection this is a Pen & Ink, gouache on illustration board (original drawing by Robert W Richards) Depicting a Man bust with a Red Woman Heel Shoe on Face circa 2000s
From the Shoe Fetish collection this is a Pen & Ink, gouache on illustration board (original drawing by Robert W Richards) Depicting a Man bust with a Red Woman Heel Shoe on Face circa 2000s

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »From the Shoe Fetish collection this is a Pen & Ink, gouache on illustration board (original drawing by Robert W Richards) Depicting a Man bust with a Red Woman Heel Shoe on Face circa 2000s

THE NATIONAL GEOGRAPHIC MAGAZINE A Very large collection of vols including Vol 1 #4 (1889), Vol 2 #2-5 (1890), some special issues from 1891 and 1892, several random issues from 1911 – 1915
THE NATIONAL GEOGRAPHIC MAGAZINE A Very large collection of vols including Vol 1 #4 (1889), Vol 2 #2-5 (1890), some special issues from 1891 and 1892, several random issues from 1911 – 1915

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »THE NATIONAL GEOGRAPHIC MAGAZINE A Very large collection of vols including Vol 1 #4 (1889), Vol 2 #2-5 (1890), some special issues from 1891 and 1892, several random issues from 1911 – 1915

An Original Hand Made Painting by Cecil Collins (British, 1908–1989) This artwork features a dynamic composition of musical instruments, including a trumpet and violin, set against an abstract background. The use of bold colors and expressive brushstrokes lends the painting a vibrant, almost lyrical quality, echoing the energy of music. Shapes overlap and intersect, creating a sense of harmony and rhythm. A signature is visible in the lower right corner, and though there is a scratch near the violin, the overall condition appears good, with the painting neatly housed in a simple, elegant frame. 24 inches x 20 inches acrylic paint on wood
An Original Hand Made Painting by Cecil Collins (British, 1908–1989) This artwork features a dynamic composition of musical instruments, including a trumpet and violin, set against an abstract background. The use of bold colors and expressive brushstrokes lends the painting a vibrant, almost lyrical quality, echoing the energy of music. Shapes overlap and intersect, creating a sense of harmony and rhythm. A signature is visible in the lower right corner, and though there is a scratch near the violin, the overall condition appears good, with the painting neatly housed in a simple, elegant frame. 24 inches x 20 inches acrylic paint on wood

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »An Original Hand Made Painting by Cecil Collins (British, 1908–1989) This artwork features a dynamic composition of musical instruments, including a trumpet and violin, set against an abstract background. The use of bold colors and expressive brushstrokes lends the painting a vibrant, almost lyrical quality, echoing the energy of music. Shapes overlap and intersect, creating a sense of harmony and rhythm. A signature is visible in the lower right corner, and though there is a scratch near the violin, the overall condition appears good, with the painting neatly housed in a simple, elegant frame. 24 inches x 20 inches acrylic paint on wood

Protected: This artwork is an impressionistic-style painting on canvas, displaying a garden with lush foliage and blooming flowers. Predominant colors include greens, pinks, and reds. Visible brushstrokes convey texture and depth. The piece is obscured by a reflective cover, and no signature is discernible in this view. The craftsmanship suggests a possibly hand-painted original, but a definitive assessment cannot be made without a clearer image. Creation date and artist remain unidentified.

There is no excerpt because this is a protected post.

Protected: This impressionist-style oil painting features a lush garden scene with sunflowers and vibrant florals. Dominant colors include yellow, blue, green, and touches of red. The visible brushstrokes convey a hand-painted original quality. Signed “Sandra Lepine,” a French artist active in the late 20th century. The artwork’s execution suggests a high-quality piece likely dating from the 1990s. The piece radiates a naturalistic charm and skilled artistry.

There is no excerpt because this is a protected post.

Protected: This is an abstract Impressionist painting, oil on canvas, featuring a textural application with dominant greens and yellows complemented by dark contrasts. Signed “Sandra” suggests Sandra Lepine, a French artist, circa late 20thC. A landscape scene, the hand-painted originality is evident, with foliage-like forms suggesting a naturalistic inspiration. Creation date unclear, quality is suggestive of a practiced artist’s work.

There is no excerpt because this is a protected post.

Protected: This artwork is an abstract impressionist oil painting with gestural brushwork and a palette of golds, blues, and earthy browns. The piece suggests autumnal foliage against a cool backdrop. The quality and texture indicate an original, hand-painted work, potentially contemporary. Signed “Yovishek,” likely a Russian or Ukrainian artist, this painting embodies a lively interplay of color and form. Creation date is not visible, estimate circa 1980s to 1990s.

There is no excerpt because this is a protected post.

Protected: This is an Impressionist-inspired oil painting highlighting a garden scene. Dominant colors are blues, greens, and hints of yellow, applied with visible, textured brushstrokes. The piece is signed “Rene,” indicative of a French artist’s work from circa late 20th century. The quality suggests a hand-crafted original. Creation date is not discernible, likely a contemporary piece. This artwork exhibits a tranquil, atmospheric quality.

There is no excerpt because this is a protected post.

Protected: This abstract painting exhibits vibrant, expressionist influences, utilizing a flat color application and geometric abstraction. Dominant colors are red, yellow, green, and blue. It appears to be acrylic on paper or canvas. This piece is signed in the upper right corner, but the artist’s name is not legible. The quality suggests it is a hand-painted original by a skilled artist. Creation date and movement are not determinable from this image.

There is no excerpt because this is a protected post.

Protected: This is an abstract expressionist-style painting with a focus on organic shapes and forms. The palette predominantly features shades of green and black with highlights in white, set against large, leaf-like elements and darker background forms that may suggest foliage. It appears to be an acrylic or oil on canvas, denoted by the textural qualities. Signed “Chris Riggs,” which might attribute it to an artist with that name. The piece seems to be a contemporary work, hand-painted and of good quality, but without a discernible date, its specific age cannot be determined.

There is no excerpt because this is a protected post.

Protected: This is an impressionistic-style painting presenting a lush arboreal scene with reflections in water. Dominant colors are shades of green, yellow, and blue, rendered in oil on canvas. The brushwork and textural quality suggest a hand-painted original. It features a signature that may say “Rene”, indicating a French artist from circa late 20thC. The artwork displays a skilled application, capturing light and atmosphere effectively. Creation date is not indicated.

There is no excerpt because this is a protected post.

Protected: The artwork is an abstract composition with geometric and organic shapes, presented in a bold palette of black, red, green, and yellow. Executed in a modernist expressionist style on paper, the work appears to be hand-made. It features the signature “Zolan”, a European artist, active in America circa late 20thC. The art piece suggests an original creation, and though the creation date is not identifiable, it may be from the late 20th century.

There is no excerpt because this is a protected post.

Protected: This is an impressionistic landscape oil painting characterized by textured, thick brushstrokes and a rich palette of yellows, blues, and greens. The piece, signed “Rene,” suggests it is by a French artist known for capturing natural scenes. The signature indicates it may be from the late 20th century. The artwork appears to be an original hand-painted piece, exhibiting a spontaneous approach to its subject, reminiscent of plein air painting techniques.

There is no excerpt because this is a protected post.

Protected: This is an Impressionist-inspired oil painting showcasing a riverside scenery. The palette primarily uses greens and yellows with hints of blue, capturing the tranquil essence of a garden scene. The brushwork is visible, implying handcrafting. A signature is present: “Scott”, an American artist recognized for landscapes from circa late 20thC. The quality reflects proficiency, indicative of an original work. Creation date is not visible.

There is no excerpt because this is a protected post.

Protected: This impressionistic-style painting captures a natural landscape with reflective water, articulated through textured brushwork in oils. Dominant hues of green, blue, and touches of yellow suggest a serene atmosphere. The artwork appears to be an original hand-painted piece, exhibiting quality craftsmanship. No visible signature precludes artist identification. The painting’s presentation, hindered by protective plastic, suggests contemporary origin. Landscape scene, estimated creation circa late 20thC.

There is no excerpt because this is a protected post.

Protected: This is an expressive still life oil painting showcasing an array of sunflowers, likely influenced by Post-Impressionism. Dominant hues are yellows, greens, and browns, suggesting warmth and naturalism. The visible brushwork conveys an original, hand-made piece. It is signed “Petter,” an American artist active circa 20thC. Quality indicates a proficient but potentially non-academic artist. Creation date is not visible, likely late 20th-century.

There is no excerpt because this is a protected post.

Protected: The artwork is in a modern abstract style, using oil on canvas, with cubist influences evident in the geometric abstraction and fragmentations. The palette consists of muted yellows, blues, and browns, with strategic use of black outlines. It is signed “Sari”, an indeterminate artist, suggesting a contemporary piece, probably crafted in the late 20th or early 21st century. The quality suggests it may be hand-painted, reflecting a sophisticated approach to form and composition.

There is no excerpt because this is a protected post.

Protected: This painting features expressive, abstract segments with a modernist cubist influence, utilizing a bold palette of blue, yellow, green, and red. The medium appears to be acrylic on canvas. Strong contrasting colors and geometric shapes denote a playful yet structured composition. It exhibits the quality of a hand-painted original, likely contemporary. The signature reads “Bondra”, associated with an artist known for abstract geometric works created in the late 20th century.

There is no excerpt because this is a protected post.

Protected: This artwork is a striking, abstract expressionist painting using a bold palette of orange, green, blue, and black. Displaying simplified forms and distorted perspectives, it suggests 20th-century modernism. The thick application of paint indicates oil on canvas, demonstrating a textured, hand-painted quality. Dominant motifs include abstracted figures and symbols. The piece is signed Alan, potentially an American artist. Creation date is not visible, but style suggests late 20thC. Quality indicates a high artistic skill level, indicative of an original work.

There is no excerpt because this is a protected post.

Protected: This artwork demonstrates an expressionist style, characterized by fluid brushstrokes and emotive use of vibrant colors, predominantly red, yellow, and blue. The medium is likely acrylic on paper. The visible signature “Elice” does not correspond to any known artist from the provided context. The piece appears to be a hand-made original, with approximate dating to the late 20th century based on the art style and material condition. The painting’s quality suggests competent execution.

There is no excerpt because this is a protected post.

Protected: This is an oil on canvas displaying cubist influence, with fragmentation and geometric abstraction, predominantly in shades of blue, yellow, and brown. Signed “Emilio Pimo,” indicative of a mid to late 20th-century artist, likely a Latin American painter. This original hand-painted piece exudes proficient use of spatial arrangement and modernist color scheme, with no evident creation date. Quality suggests a skilled artist comfortable with Cubist aesthetics.

There is no excerpt because this is a protected post.

Protected: This artwork embodies expressionist qualities with abstracted forms and a dynamic palette of purples, whites, and blues, possibly acrylic on canvas. The vigorous, textured brushwork indicates a hand-painted original. The piece is rotationally misaligned, and there’s no discernible signature. The piece’s quality is suggestive of a contemporary artist’s creative exploration. Creation date is not visible, estimated as a late 20th-century piece.

There is no excerpt because this is a protected post.

Protected: This artwork is an impressionistic oil painting featuring an outdoor scene. The loose brushstrokes and vivid color palette, comprising yellows, greens, and blues, suggest a plein-air method capturing natural light. The piece seems hand-made and original. A signature reads “Raspallo,” which corresponds to a listed artist active circa late 20th century. Creation date is unspecified, likely 1990s. Quality indicates a skilled execution with a dynamic composition.

There is no excerpt because this is a protected post.

Protected: This is an impressionistic landscape painting utilizing oil on canvas, evident in the textured brushwork and natural color palette. Predominant tones of green, red, and blue evoke an outdoor setting, possibly a garden scene. The signature “Rene” indicates the French artist, active circa late 20thC. The piece seems to be a hand-painted original, reflecting a quality execution with a focus on light interplay. Creation date is not visible, estimated circa 1990s.

There is no excerpt because this is a protected post.

Protected: This abstract expressionist painting uses a palette of mustard yellow, deep red, and blue, with heavy black accents. The signature “Bond” matches a listed artist, suggesting authenticity as a hand-made original. The dynamic brushwork and color contrasts contribute to a composition reminiscent of mid-20th-century modernist movements. Quality appears proficient, indicating a skilled artist’s work. Creation date is not discernible.

There is no excerpt because this is a protected post.

Protected: This impressionist-style painting features expressive brushwork and a vivid palette of greens, yellows, and blues, suggestive of a pastoral landscape. The quality and paint application imply an original, hand-painted piece, likely oil on canvas. The composition captures haystacks and trees with a dynamic sky. This piece is signed Grenon, likely a British-American artist from circa late 20th century, known for landscape scenes. Creation date appears contemporaneous with the artist’s active period.

There is no excerpt because this is a protected post.

Protected: This impressionistic painting, likely oil on canvas, features an inverted landscape scene with lush greenery, a bridge, and water reflection. The artwork is signed “Rene,” indicating a French artist possibly active in the late 20th century. Dominant colors are greens, blues, and earth tones, and the painting exhibits a hand-made quality, with textured brushstrokes enhancing the naturalistic depiction. Creation date is not discernible from the image. Quality suggests a skilled artist’s work, possibily from the 1990s.

There is no excerpt because this is a protected post.

Protected: This impressionistic landscape painting features a lush arboreal scene, rendered with a verdant palette predominantly in shades of green and yellow, with blue-hued negative space suggesting sky or water. The visible brushwork and oil on canvas medium imply a hand-painted original. There is an indistinct signature visible. The quality of the piece points to a skilled artist, perhaps from the mid to late 20th century. It depicts an upside-down landscape scene with trees and reflections, suggesting a surreal or alternative visual perspective. The work’s orientation adds an intriguing dynamic to the viewing experience.

There is no excerpt because this is a protected post.

Protected: This impressionistic oil painting depicts a light-infused forest scene with textured brushstrokes. Predominant colors include varied greens, yellows, and white spots suggestive of flowers. The visible signature, “Rene,” points to a French artist known for landscape scenes, active circa late 20thC. The piece appears to be a high-quality, hand-painted original, imbuing it with authenticity and artistic competence. Creation date is not discernible from the image.

There is no excerpt because this is a protected post.

Protected: This is an expressive landscape painting, rendered with a textured brushwork that imbues the scene with dynamism. The color palette consists predominantly of greens, blues, and earthy browns. It appears to be oil on canvas and is evidently hand-painted. The piece is signed “Denis,” correlating with Denis Legare, an artist known for pastoral scenes. Quality indicates an original work. The painting’s orientation is intentional, invoking a reflective quality akin to looking at water. Creation date is unknown.

There is no excerpt because this is a protected post.

Protected: This expressionist-style landscape painting focuses on color and form over realism. Executed in oil on canvas, it utilizes a palette of yellows, blues, and greens. The piece is signed “Rene,” indicating a French artist. This hand-painted, original piece likely dates from the late 20th century. Quality suggests competent artistry, capturing dynamic movement and emotional resonance. This is a landscape scene of a coastal village, decorative.

There is no excerpt because this is a protected post.

Protected: This painting explores Cubist influences with fragmented, abstract forms in muted colors, primarily red, yellow, and black, suggesting synthetic cubism. The signature, partially obscured, appears to read “Wolf,” a British artist active circa late 20thC. This hand-painted oil on canvas emanates a professional execution, indicative of an original work. It depicts a still life scene with musical instruments and appears to be circa 1990s.

There is no excerpt because this is a protected post.

Protected: This artwork is an Impressionist-inspired oil painting, capturing a Mediterranean coastal scene with lush garden and architectural elements. The palette includes blues, vibrant floral hues, and earth tones, suggesting plein air execution of light and atmosphere. The quality suggests a hand-made original. Signed “Lapine”, likely Sandra Lepine, French artist active in late 20th-century. Creation date is unspecified, estimated circa late 20th-century.

There is no excerpt because this is a protected post.

Protected: This impressionistic artwork features a garden scene executed in oil on canvas, employing a rich palette with vibrant blues, greens, and floral reds, pinks, and oranges. The piece is signed “Jasper,” likely an American artist, active circa late 20th century. The quality and style suggest a hand-made original, and the signature conveys provenance. The presentation is hampered by partial coverage, possibly plastic wrap, making a complete evaluation challenging.

There is no excerpt because this is a protected post.

Protected: This Impressionist-style painting features a Mediterranean landscape with floral accents, rendered in oil on canvas. The palette consists of blues, yellows, greens, and reds. Brushwork indicates it could be hand-painted, suggesting an original piece with credible artistic merit. Visible signature reads “Scott,” possibly an American artist from the late 20th century. Creation date unspecified, likely circa 1980s-1990s. Quality appears consistent with skilled craftsmanship.

There is no excerpt because this is a protected post.

Protected: This is an impressionistic-style painting, likely oil on canvas, showcasing a European coastal village scene. The colors are rich and textured with predominant blues, yellows, and reds. The artwork appears to be hand-painted. Covered in protective plastic, the signature and potential aging are obscured, hindering precise identification. The signature may suggest the artist “Lapine”, known for similar scenes and active late 20thC.

There is no excerpt because this is a protected post.

Protected: This is an impressionistic oil painting characterized by thick, textured brushwork and a vibrant palette of blues, greens, and autumnal colors. It depicts a Mediterranean coastal village, suggesting a plein air technique. The work is signed “Scott,” an American artist known for landscape scenes. The painting appears to be a handcrafted original, likely from the late 20th century, displaying a high quality of execution typical of the artist’s oeuvre.

There is no excerpt because this is a protected post.

Protected: This impressionistic-style landscape painting captures light and natural scenery with textured brushwork. The palette includes greens, blues, and vibrant autumnal yellows. The piece is signed “Scott,” indicative of the American artist active in the late 20th century known for such landscapes. The artwork appears to be an original oil on canvas, executed with a palpable spontaneity commonly associated with hand-crafted pieces. Creation date is not visible, estimated circa 1990s.

There is no excerpt because this is a protected post.

Protected: This impressionistic artwork, likely oil on canvas, captures a garden scene with vibrant brushwork. Dominant colors include greens, reds, and blues; the quality suggests a hand-painted original. Although partly obscured, the present signature reads “Scott,” associated with an American artist active in the late 20th century. The painting is estimated from circa 1990s. The artwork radiates skilled execution, potentially by a trained artist.

There is no excerpt because this is a protected post.

Protected: This impressionistic-style painting, possibly oil on canvas, displays a tranquil winter scene with dominant hues of blue, yellow, and white. The brushwork is loose, capturing the reflection and atmosphere typical of the style. The artwork appears to be an original hand-painted piece, signed “Lajoie,” indicating a French artist active circa late 20thC. Creation date is indiscernible; however, it suggests a contemporary or modern vintage. Quality is reflective of competent artistic execution.

There is no excerpt because this is a protected post.

Protected: This is an impressionistic landscape painting, characterized by visible brushstrokes and a play of light. The medium is likely oil on canvas, with a palette of greens, blues, and earthy browns. The quality suggests a hand-painted original, possibly by an unlisted artist given the absence of a discernible signature. The reflective glare implies the artwork is behind glass, indicative of a framed piece, suggesting value and care for the painting. Creation date is indeterminable.

There is no excerpt because this is a protected post.

Protected: This is an impressionistic-style painting, likely oil on canvas, showcasing a vibrant country cottage bathed in warm light. Predominant colors include blues, greens, and yellows with red floral accents. It appears to be a hand-painted original, with a signature that resembles “Sandra Lepine,” a French artist active in the late 20th century. The quality of the piece suggests a skilled hand, evocative of Thomas Kincade’s works, with meticulous attention to light and atmosphere. Creation date is not visible but estimated to be circa late 20th century.

There is no excerpt because this is a protected post.

Protected: This is an abstract landscape painting likely influenced by modern expressionism, notable for its stylized representation of a mountainous region. The piece exhibits a rich earthy palette comprising oranges, browns, and blues, with an inventory number (16005) suggesting gallery or collection cataloging. The age and artist remain indeterminate as there is no visible signature. The painting’s quality suggests it could be a hand-made original.

There is no excerpt because this is a protected post.

Protected: This painting displays a modernist still life with Cubist influences, characterized by fragmented geometry in composition. The medium is likely oil, recognized by the rich texture and layering. Dominant colors are blues, yellows, and greens with earthy brown tones. It is signed “Yovishek”, suggesting the artist’s identity—potentially Russian or Ukrainian. The artwork appears to be an original, hand-made creation with skilled technical execution. Creation date is uncertain without additional context.

There is no excerpt because this is a protected post.

Protected: The artwork is an impressionistic oil painting with impasto technique, exhibiting bold brushstrokes and a palette of blues, yellows, and greens. The piece is signed with the initials “C.Z.,” although the artist’s full identity isn’t clear from the signature alone. The painting appears to be a hand-made original, potentially dated circa late 20th century. The quality reflects an effective capture of natural light and texture.

There is no excerpt because this is a protected post.

Protected: This abstract composition, likely acrylic or oil on paper, displays geometric shapes fragmented in a Cubist manner. The dominant palette includes yellows, greens, and shades of ochre. The artwork appears to be a hand-painted original, carrying the signature “Thorog” in the bottom right. The style and signature suggest an active artist from the late 20th century, though Thorog’s name is not readily recognized from listed databases. The piece seems of good quality, suggesting a contemporary creation with modernist influences.

There is no excerpt because this is a protected post.

Protected: This is an abstract expressionist piece with a dynamic interplay of color and form. The energetic white lines contrast against a warm background of reds and oranges, with cooler blue and green accents. It appears to be acrylic or oil on canvas. The numbering “10500” may indicate a series or inventory. Signed “Kane Garcia,” potentially a contemporary artist. The artwork exudes originality and spirited execution. Creation date is not visible; estimated contemporary.

There is no excerpt because this is a protected post.

Protected: This is an abstract expressionist-style oil painting, featuring a striking use of contrast between the deep black background and the vivid blue, white, orange, and green forms, which could suggest an inverted floral motif. The dynamic brushwork indicates a hand-painted original. A signature is not clearly discernible, preventing the attribution to a specific artist. Creation date remains unspecified, yet the work exudes a contemporary quality.

There is no excerpt because this is a protected post.

Protected: This abstract composition features a palette of primary colors—bold blues, yellows, and reds—organized into geometric shapes. The style is reminiscent of Modernism, and the medium appears to be acrylic on canvas. The work is signed “Sico,” not immediately identifiable with a listed artist. This piece appears to be a hand-painted original, showcasing a semi-matte finish and a confident application of color. Creation date and further details are not discernible from the image.

There is no excerpt because this is a protected post.

Protected: This is a Cubist-style painting, with fragmented geometric shapes and a palette dominated by yellows and greens, with touches of blue. The brushwork and composition suggest an oil on canvas medium. Signed “Thomas,” the artist’s full identity is not determinable. It appears to be a hand-painted original, exhibiting a crafted texture indicative of authentic artworks. Creation date is not visible; estimated circa late 20th century.

There is no excerpt because this is a protected post.

Protected: The painting displays an abstract composition with a stark use of geometric forms and a limited color palette dominated by blue, yellow, and gray. The bold, flattening of forms suggests Cubist or abstract expressionist influences. It’s likely acrylic on canvas, noted for its matte finish. The artwork, signed “marcel,” conveys a modern aesthetic, suggesting a late 20th-century creation. The piece appears to be a hand-made original, showing textural brushwork indicative of a skilled artist.

There is no excerpt because this is a protected post.

Protected: This artwork presents an abstract style with a flattened perspective and an almost child-like simplicity in its form and application. The medium appears to be acrylic on paper, given the matte texture and opacity of colors. Dominant shades include mustard yellow, dark green, and sky blue. The signature is “Scott,” an American artist, indicating this might be a late 20th-century piece. The quality suggests it is a hand-made original, characterized by a bold yet ostensibly naive composition that offers a modern, playful aesthetic.

There is no excerpt because this is a protected post.

This triptych features botanical illustrations in the style of Pierre-Joseph Redouté, showcasing detailed and delicate flower renditions with soft, precise brushwork typical of botanical art. The composition is balanced and naturalistic, reflecting the scientific yet aesthetic approach of 18th to 19th-century floral illustrations.
This triptych features botanical illustrations in the style of Pierre-Joseph Redouté, showcasing detailed and delicate flower renditions with soft, precise brushwork typical of botanical art. The composition is balanced and naturalistic, reflecting the scientific yet aesthetic approach of 18th to 19th-century floral illustrations.

This appraisal report furnishes a meticulous and impartial assessment of the artwork, predicated on the appraiser’s profound acumen… Read More »This triptych features botanical illustrations in the style of Pierre-Joseph Redouté, showcasing detailed and delicate flower renditions with soft, precise brushwork typical of botanical art. The composition is balanced and naturalistic, reflecting the scientific yet aesthetic approach of 18th to 19th-century floral illustrations.

The painting depicts a pastoral scene with a child and a dog resting in a landscape. The use of light and color, along with visible brushstrokes, suggest an Impressionist influence. Compositionally, it balances tranquility and warmth, capturing a moment in nature. Its age and personalized display hint at significant sentimental value. 34″ wide and 40″ high, circa early to mid 20thC. Signed Chuck Elois (American artist, circa late 20thC) Folk art style.
The painting depicts a pastoral scene with a child and a dog resting in a landscape. The use of light and color, along with visible brushstrokes, suggest an Impressionist influence. Compositionally, it balances tranquility and warmth, capturing a moment in nature. Its age and personalized display hint at significant sentimental value. 34″ wide and 40″ high, circa early to mid 20thC. Signed Chuck Elois (American artist, circa late 20thC) Folk art style.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »The painting depicts a pastoral scene with a child and a dog resting in a landscape. The use of light and color, along with visible brushstrokes, suggest an Impressionist influence. Compositionally, it balances tranquility and warmth, capturing a moment in nature. Its age and personalized display hint at significant sentimental value. 34″ wide and 40″ high, circa early to mid 20thC. Signed Chuck Elois (American artist, circa late 20thC) Folk art style.

A Fine Quality Cold Duck Jug, 20th Century Colorless glass, peeled, star base, silver-plated metal mount with spout, hinged lid, and handle, glass insert for ice cubes, height approx. 26.5 cm, rubbed, stained
A Fine Quality Cold Duck Jug, 20th Century Colorless glass, peeled, star base, silver-plated metal mount with spout, hinged lid, and handle, glass insert for ice cubes, height approx. 26.5 cm, rubbed, stained

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »A Fine Quality Cold Duck Jug, 20th Century Colorless glass, peeled, star base, silver-plated metal mount with spout, hinged lid, and handle, glass insert for ice cubes, height approx. 26.5 cm, rubbed, stained

The image shows a photographic print of a mountain landscape, featuring a minimalist aesthetic with subtle gradations of white and gray, evoking a serene atmosphere. The print is contemporary, reflecting a modern approach to landscape art. Hand signed Limited Edition Print number 2 out of 20, size is 40×60 inch titled “White Light” Kate Holstein is an American photographer who lives between Aspen, Colorado and the Caribbean island of Saint Barthélemy
The image shows a photographic print of a mountain landscape, featuring a minimalist aesthetic with subtle gradations of white and gray, evoking a serene atmosphere. The print is contemporary, reflecting a modern approach to landscape art. Hand signed Limited Edition Print number 2 out of 20, size is 40×60 inch titled “White Light” Kate Holstein is an American photographer who lives between Aspen, Colorado and the Caribbean island of Saint Barthélemy

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »The image shows a photographic print of a mountain landscape, featuring a minimalist aesthetic with subtle gradations of white and gray, evoking a serene atmosphere. The print is contemporary, reflecting a modern approach to landscape art. Hand signed Limited Edition Print number 2 out of 20, size is 40×60 inch titled “White Light” Kate Holstein is an American photographer who lives between Aspen, Colorado and the Caribbean island of Saint Barthélemy

The artwork features a serene maritime scene with a tranquil wave gently rolling towards the viewer. The color palette is muted, dominated by cool tones that evoke a sense of calm and peace. Subtle gradients from the sky to the sea suggest an early morning or late afternoon ambiance, with a touch of warmth from the sun’s light gracing the horizon. The overall effect is both contemplative and soothing, inviting the observer to pause and reflect. The piece is in good condition, within a clean and simple white frame that complements its understated elegance. Hand signed Limited Edition Print number 6 out of 20, size is 30×40 inch titled “Honolua Wave” Kate Holstein is an American photographer who lives between Aspen, Colorado and the Caribbean island of Saint Barthélemy
The artwork features a serene maritime scene with a tranquil wave gently rolling towards the viewer. The color palette is muted, dominated by cool tones that evoke a sense of calm and peace. Subtle gradients from the sky to the sea suggest an early morning or late afternoon ambiance, with a touch of warmth from the sun’s light gracing the horizon. The overall effect is both contemplative and soothing, inviting the observer to pause and reflect. The piece is in good condition, within a clean and simple white frame that complements its understated elegance. Hand signed Limited Edition Print number 6 out of 20, size is 30×40 inch titled “Honolua Wave” Kate Holstein is an American photographer who lives between Aspen, Colorado and the Caribbean island of Saint Barthélemy

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »The artwork features a serene maritime scene with a tranquil wave gently rolling towards the viewer. The color palette is muted, dominated by cool tones that evoke a sense of calm and peace. Subtle gradients from the sky to the sea suggest an early morning or late afternoon ambiance, with a touch of warmth from the sun’s light gracing the horizon. The overall effect is both contemplative and soothing, inviting the observer to pause and reflect. The piece is in good condition, within a clean and simple white frame that complements its understated elegance. Hand signed Limited Edition Print number 6 out of 20, size is 30×40 inch titled “Honolua Wave” Kate Holstein is an American photographer who lives between Aspen, Colorado and the Caribbean island of Saint Barthélemy

Peter Maxb. 1937, American”Without Borders,” circa 2003 acrylic on canvas. Signed upper right. vibrant, abstract acrylic on canvas marked by bold strokes and a vivid color palette, showcasing Max’s iconic style with its exuberant energy and movement. The piece is characterized by a large, radiant sun against a dynamic, brightly hued backdrop, signed by Max. Size is 24×18 Inches.
Peter Maxb. 1937, American”Without Borders,” circa 2003 acrylic on canvas. Signed upper right. vibrant, abstract acrylic on canvas marked by bold strokes and a vivid color palette, showcasing Max’s iconic style with its exuberant energy and movement. The piece is characterized by a large, radiant sun against a dynamic, brightly hued backdrop, signed by Max. Size is 24×18 Inches.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »Peter Maxb. 1937, American”Without Borders,” circa 2003 acrylic on canvas. Signed upper right. vibrant, abstract acrylic on canvas marked by bold strokes and a vivid color palette, showcasing Max’s iconic style with its exuberant energy and movement. The piece is characterized by a large, radiant sun against a dynamic, brightly hued backdrop, signed by Max. Size is 24×18 Inches.

Peter Maxb. 1937, American”Without Borders,” circa 2003 Oil on canvas. Signed upper right. vibrant, abstract acrylic on canvas marked by bold strokes and a vivid color palette, showcasing Max’s iconic style with its exuberant energy and movement. The piece is characterized by a large, radiant sun against a dynamic, brightly hued backdrop, signed by Max. Size is 24×18 Inches.
Peter Maxb. 1937, American”Without Borders,” circa 2003 Oil on canvas. Signed upper right. vibrant, abstract acrylic on canvas marked by bold strokes and a vivid color palette, showcasing Max’s iconic style with its exuberant energy and movement. The piece is characterized by a large, radiant sun against a dynamic, brightly hued backdrop, signed by Max. Size is 24×18 Inches.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »Peter Maxb. 1937, American”Without Borders,” circa 2003 Oil on canvas. Signed upper right. vibrant, abstract acrylic on canvas marked by bold strokes and a vivid color palette, showcasing Max’s iconic style with its exuberant energy and movement. The piece is characterized by a large, radiant sun against a dynamic, brightly hued backdrop, signed by Max. Size is 24×18 Inches.

Peter Maxb. 1937, American”Without Borders,” circa 2003 Oil on canvas. Signed upper right. vibrant, abstract acrylic on canvas  marked by bold strokes and a vivid color palette, showcasing Max’s iconic style with its exuberant energy and movement. The piece is characterized by a large, radiant sun against a dynamic, brightly hued backdrop, signed by Max. Size is 24×18 Inches.
Peter Maxb. 1937, American”Without Borders,” circa 2003 Oil on canvas. Signed upper right. vibrant, abstract acrylic on canvas marked by bold strokes and a vivid color palette, showcasing Max’s iconic style with its exuberant energy and movement. The piece is characterized by a large, radiant sun against a dynamic, brightly hued backdrop, signed by Max. Size is 24×18 Inches.

This appraisal report furnishes a meticulous and impartial assessment of the artwork, predicated on the appraiser’s profound acumen… Read More »Peter Maxb. 1937, American”Without Borders,” circa 2003 Oil on canvas. Signed upper right. vibrant, abstract acrylic on canvas marked by bold strokes and a vivid color palette, showcasing Max’s iconic style with its exuberant energy and movement. The piece is characterized by a large, radiant sun against a dynamic, brightly hued backdrop, signed by Max. Size is 24×18 Inches.

On raising troops and holding an election in Tennessee Abraham Lincoln, 3 July 1862 LINCOLN, Abraham (1809-1865). Autograph letter signed as President (“A. Lincoln”) to Andrew Johnson, Washington, 3 July 1862. One page, bifolium, 252 x 198mm, on lined stationery bearing a blind stamp of the Capitol at top left (a few spots of soiling, else very clean and bright).
On raising troops and holding an election in Tennessee Abraham Lincoln, 3 July 1862 LINCOLN, Abraham (1809-1865). Autograph letter signed as President (“A. Lincoln”) to Andrew Johnson, Washington, 3 July 1862. One page, bifolium, 252 x 198mm, on lined stationery bearing a blind stamp of the Capitol at top left (a few spots of soiling, else very clean and bright).

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »On raising troops and holding an election in Tennessee Abraham Lincoln, 3 July 1862 LINCOLN, Abraham (1809-1865). Autograph letter signed as President (“A. Lincoln”) to Andrew Johnson, Washington, 3 July 1862. One page, bifolium, 252 x 198mm, on lined stationery bearing a blind stamp of the Capitol at top left (a few spots of soiling, else very clean and bright).

Encased in an ornate gold frame, the painting depicts a serene, idyllic setting immersed in the soft glow of twilight. A charming stone cottage with inviting lit windows takes center stage amidst blossoming gardens and mature trees. A tranquil stream meanders under a quaint arched bridge, reflecting the subtle hues of the sky and surrounding foliage. This scene exudes a sense of peace, as if in a world untouched by time, evoking feelings of nostalgia and comfort. The use of light suggests a warm, welcoming atmosphere, typical of the luminist approach. The canvas appears to be in excellent condition, with no visible signs of wear or damage, preserving the artwork’s enchanting allure.  Artist is Thomas Kinkade titled “Beyond Spring Gate”, Print on SN Canvas, 2920/3450, limited Edition Hand Signed.
Encased in an ornate gold frame, the painting depicts a serene, idyllic setting immersed in the soft glow of twilight. A charming stone cottage with inviting lit windows takes center stage amidst blossoming gardens and mature trees. A tranquil stream meanders under a quaint arched bridge, reflecting the subtle hues of the sky and surrounding foliage. This scene exudes a sense of peace, as if in a world untouched by time, evoking feelings of nostalgia and comfort. The use of light suggests a warm, welcoming atmosphere, typical of the luminist approach. The canvas appears to be in excellent condition, with no visible signs of wear or damage, preserving the artwork’s enchanting allure. Artist is Thomas Kinkade titled “Beyond Spring Gate”, Print on SN Canvas, 2920/3450, limited Edition Hand Signed.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »Encased in an ornate gold frame, the painting depicts a serene, idyllic setting immersed in the soft glow of twilight. A charming stone cottage with inviting lit windows takes center stage amidst blossoming gardens and mature trees. A tranquil stream meanders under a quaint arched bridge, reflecting the subtle hues of the sky and surrounding foliage. This scene exudes a sense of peace, as if in a world untouched by time, evoking feelings of nostalgia and comfort. The use of light suggests a warm, welcoming atmosphere, typical of the luminist approach. The canvas appears to be in excellent condition, with no visible signs of wear or damage, preserving the artwork’s enchanting allure. Artist is Thomas Kinkade titled “Beyond Spring Gate”, Print on SN Canvas, 2920/3450, limited Edition Hand Signed.

The artwork depicts a picturesque, serene path leading through a vibrant garden, flanked by blooming trees and lush vegetation. Natural light seems to cascade through the branches, illuminating the scene with a warm glow that enhances the tranquility of the setting. The meticulous brushwork suggests a labor of love, where each leaf and petal is given attention, exuding the essence of spring. The ornate frame complements the painting’s traditional aesthetic, encapsulating it in a portal to a peaceful, idyllic realm. The scene symbolizes renewal and the beauty of nature’s cycles, inviting the viewer to take a moment of respite from the bustling world. The artistic renditions of the trees, with their varied hues of green, pink, and white, along with the ground covered in a carpet of flowers, emphasize a harmony between man-made structures, like the quaint gate, and the untamed beauty of nature. The condition appears to be good, with no visible damage or deterioration, preserving both the vibrancy of its colors and the integrity of the scene’s inviting allure.  Thomas Kinkade Canvas, “Spring Gate”, S/N 3777 out of 3950. Limited Edition Print on Canvas, circa late 20thC, Hand Signed.
The artwork depicts a picturesque, serene path leading through a vibrant garden, flanked by blooming trees and lush vegetation. Natural light seems to cascade through the branches, illuminating the scene with a warm glow that enhances the tranquility of the setting. The meticulous brushwork suggests a labor of love, where each leaf and petal is given attention, exuding the essence of spring. The ornate frame complements the painting’s traditional aesthetic, encapsulating it in a portal to a peaceful, idyllic realm. The scene symbolizes renewal and the beauty of nature’s cycles, inviting the viewer to take a moment of respite from the bustling world. The artistic renditions of the trees, with their varied hues of green, pink, and white, along with the ground covered in a carpet of flowers, emphasize a harmony between man-made structures, like the quaint gate, and the untamed beauty of nature. The condition appears to be good, with no visible damage or deterioration, preserving both the vibrancy of its colors and the integrity of the scene’s inviting allure. Thomas Kinkade Canvas, “Spring Gate”, S/N 3777 out of 3950. Limited Edition Print on Canvas, circa late 20thC, Hand Signed.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »The artwork depicts a picturesque, serene path leading through a vibrant garden, flanked by blooming trees and lush vegetation. Natural light seems to cascade through the branches, illuminating the scene with a warm glow that enhances the tranquility of the setting. The meticulous brushwork suggests a labor of love, where each leaf and petal is given attention, exuding the essence of spring. The ornate frame complements the painting’s traditional aesthetic, encapsulating it in a portal to a peaceful, idyllic realm. The scene symbolizes renewal and the beauty of nature’s cycles, inviting the viewer to take a moment of respite from the bustling world. The artistic renditions of the trees, with their varied hues of green, pink, and white, along with the ground covered in a carpet of flowers, emphasize a harmony between man-made structures, like the quaint gate, and the untamed beauty of nature. The condition appears to be good, with no visible damage or deterioration, preserving both the vibrancy of its colors and the integrity of the scene’s inviting allure. Thomas Kinkade Canvas, “Spring Gate”, S/N 3777 out of 3950. Limited Edition Print on Canvas, circa late 20thC, Hand Signed.

The artwork presents a dynamic seascape, capturing the tumultuous energy of crashing waves against jagged rocks. Through vibrant, thick brushstrokes and a bold palette dominated by shades of blue, white, and earthy browns and greens, the artist conveys both the power and beauty of the natural world. The interplay of light and shadow adds to the sense of movement, creating a lively texture that seems to echo the continuous motion of the sea. The composition, with its focus squarely on the frothy peaks of the waves and the solidity of the rocks, might invoke in the viewer a feeling of nature’s enduring struggle and the fervor of the ocean. The frame’s rustic and worn appearance complements the scene’s untamed essence, suggesting that the condition of the artwork is congruent with its reverence for raw, natural elements. Title: Crashing Waves On Rocks, Medium: Oil On Canvas Painting Size: 7.5″ x 9.5″ Frame Size: 15.5″ x 17.5″ Condition: This artwork is in good overall condition for its age. Signature: Signed Artist: William Frederic Ritschel (1864 – 1949).
The artwork presents a dynamic seascape, capturing the tumultuous energy of crashing waves against jagged rocks. Through vibrant, thick brushstrokes and a bold palette dominated by shades of blue, white, and earthy browns and greens, the artist conveys both the power and beauty of the natural world. The interplay of light and shadow adds to the sense of movement, creating a lively texture that seems to echo the continuous motion of the sea. The composition, with its focus squarely on the frothy peaks of the waves and the solidity of the rocks, might invoke in the viewer a feeling of nature’s enduring struggle and the fervor of the ocean. The frame’s rustic and worn appearance complements the scene’s untamed essence, suggesting that the condition of the artwork is congruent with its reverence for raw, natural elements. Title: Crashing Waves On Rocks, Medium: Oil On Canvas Painting Size: 7.5″ x 9.5″ Frame Size: 15.5″ x 17.5″ Condition: This artwork is in good overall condition for its age. Signature: Signed Artist: William Frederic Ritschel (1864 – 1949).

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »The artwork presents a dynamic seascape, capturing the tumultuous energy of crashing waves against jagged rocks. Through vibrant, thick brushstrokes and a bold palette dominated by shades of blue, white, and earthy browns and greens, the artist conveys both the power and beauty of the natural world. The interplay of light and shadow adds to the sense of movement, creating a lively texture that seems to echo the continuous motion of the sea. The composition, with its focus squarely on the frothy peaks of the waves and the solidity of the rocks, might invoke in the viewer a feeling of nature’s enduring struggle and the fervor of the ocean. The frame’s rustic and worn appearance complements the scene’s untamed essence, suggesting that the condition of the artwork is congruent with its reverence for raw, natural elements. Title: Crashing Waves On Rocks, Medium: Oil On Canvas Painting Size: 7.5″ x 9.5″ Frame Size: 15.5″ x 17.5″ Condition: This artwork is in good overall condition for its age. Signature: Signed Artist: William Frederic Ritschel (1864 – 1949).

The painting “Paris in Blue” features an impressionistic style characterized by loose, expressive brushwork depicting Notre-Dame and the Seine. The composition captures the historic essence of Paris through the atmospheric interplay of light and color, emblematic of late 1960s or early 1970s works. Painting made by Americo Makk (1927–May 5, 2015) was a painter and portrait artist from Hungary.
The painting “Paris in Blue” features an impressionistic style characterized by loose, expressive brushwork depicting Notre-Dame and the Seine. The composition captures the historic essence of Paris through the atmospheric interplay of light and color, emblematic of late 1960s or early 1970s works. Painting made by Americo Makk (1927–May 5, 2015) was a painter and portrait artist from Hungary.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »The painting “Paris in Blue” features an impressionistic style characterized by loose, expressive brushwork depicting Notre-Dame and the Seine. The composition captures the historic essence of Paris through the atmospheric interplay of light and color, emblematic of late 1960s or early 1970s works. Painting made by Americo Makk (1927–May 5, 2015) was a painter and portrait artist from Hungary.

This oil on panel painting by Eugène Joseph Verboeckhoven (9 June 1798 – 19 January 1881, Belgian painter, a sculptor, an etcher, an engraver, and a lithographer) dated 1859, depicts a pastoral scene centered on a donkey standing among four sheep, with a hint of woodland in the background. The naturalistic rendering of the animals suggests a careful study of their form and texture, highlighting the artist’s skill in capturing the tranquility and harmonious relationship between the creatures. The donkey’s attentive pose and the sheep’s relaxed postures contribute to the calm atmosphere of the composition. The artwork is complemented by a matching ornate frame that enhances its 19th-century aesthetic, and it appears to be in good condition, retaining clarity in detail and color. Size is 14.5×12.5 inches
This oil on panel painting by Eugène Joseph Verboeckhoven (9 June 1798 – 19 January 1881, Belgian painter, a sculptor, an etcher, an engraver, and a lithographer) dated 1859, depicts a pastoral scene centered on a donkey standing among four sheep, with a hint of woodland in the background. The naturalistic rendering of the animals suggests a careful study of their form and texture, highlighting the artist’s skill in capturing the tranquility and harmonious relationship between the creatures. The donkey’s attentive pose and the sheep’s relaxed postures contribute to the calm atmosphere of the composition. The artwork is complemented by a matching ornate frame that enhances its 19th-century aesthetic, and it appears to be in good condition, retaining clarity in detail and color. Size is 14.5×12.5 inches

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »This oil on panel painting by Eugène Joseph Verboeckhoven (9 June 1798 – 19 January 1881, Belgian painter, a sculptor, an etcher, an engraver, and a lithographer) dated 1859, depicts a pastoral scene centered on a donkey standing among four sheep, with a hint of woodland in the background. The naturalistic rendering of the animals suggests a careful study of their form and texture, highlighting the artist’s skill in capturing the tranquility and harmonious relationship between the creatures. The donkey’s attentive pose and the sheep’s relaxed postures contribute to the calm atmosphere of the composition. The artwork is complemented by a matching ornate frame that enhances its 19th-century aesthetic, and it appears to be in good condition, retaining clarity in detail and color. Size is 14.5×12.5 inches

The painting, likely contemporary, illustrates a serene indigenous woman by firelight, with a realistic style and warm palette emphasizing human form and emotive content, suggesting a narrative of heritage and continuity. It is titled “STARLIGHT & FIRELIGHT DREAMS” and it was made by Listed Artist Patrice Le Pera, circa 2020s. Realist Style, Exceptional quality.
The painting, likely contemporary, illustrates a serene indigenous woman by firelight, with a realistic style and warm palette emphasizing human form and emotive content, suggesting a narrative of heritage and continuity. It is titled “STARLIGHT & FIRELIGHT DREAMS” and it was made by Listed Artist Patrice Le Pera, circa 2020s. Realist Style, Exceptional quality.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »The painting, likely contemporary, illustrates a serene indigenous woman by firelight, with a realistic style and warm palette emphasizing human form and emotive content, suggesting a narrative of heritage and continuity. It is titled “STARLIGHT & FIRELIGHT DREAMS” and it was made by Listed Artist Patrice Le Pera, circa 2020s. Realist Style, Exceptional quality.

Large model of cash register from the American company National Cash Register COMPANY MODEL 522-E. CIRCA 1909-1915. This company first marketed this type of item from 1884. It is also worked on the cash side as well as on the customer side, and the price is visible to both the customer and the seller in dollars and cents. The cash register is in chiseled bronze with ornamentation on all sides. A white marble shelf is affixed above the wooden cash drawer, which has 9 compartments dedicated to the storage of coins and banknotes. The set rests on a wooden base. Several keys available, old cash rolls. Very decorative object, unusual and of a remarkable size.
Large model of cash register from the American company National Cash Register COMPANY MODEL 522-E. CIRCA 1909-1915. This company first marketed this type of item from 1884. It is also worked on the cash side as well as on the customer side, and the price is visible to both the customer and the seller in dollars and cents. The cash register is in chiseled bronze with ornamentation on all sides. A white marble shelf is affixed above the wooden cash drawer, which has 9 compartments dedicated to the storage of coins and banknotes. The set rests on a wooden base. Several keys available, old cash rolls. Very decorative object, unusual and of a remarkable size.

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »Large model of cash register from the American company National Cash Register COMPANY MODEL 522-E. CIRCA 1909-1915. This company first marketed this type of item from 1884. It is also worked on the cash side as well as on the customer side, and the price is visible to both the customer and the seller in dollars and cents. The cash register is in chiseled bronze with ornamentation on all sides. A white marble shelf is affixed above the wooden cash drawer, which has 9 compartments dedicated to the storage of coins and banknotes. The set rests on a wooden base. Several keys available, old cash rolls. Very decorative object, unusual and of a remarkable size.

A rectangular-cut gemstone sapphire. Celon/Pale Sapphire Weight  10 ctw LWUV – PINK FLORECENCEA rectangular-cut gemstone sapphire. SHOWS GREEN UNDER CHELEA FILTER Celon/Pale Sapphire. Vintage circa mid 20thC.
A rectangular-cut gemstone sapphire. Celon/Pale Sapphire Weight 10 ctw LWUV – PINK FLORECENCEA rectangular-cut gemstone sapphire. SHOWS GREEN UNDER CHELEA FILTER Celon/Pale Sapphire. Vintage circa mid 20thC.

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »A rectangular-cut gemstone sapphire. Celon/Pale Sapphire Weight 10 ctw LWUV – PINK FLORECENCEA rectangular-cut gemstone sapphire. SHOWS GREEN UNDER CHELEA FILTER Celon/Pale Sapphire. Vintage circa mid 20thC.

The painting is a traditional early 20th-century portrait, featuring a young boy in formal attire with atmospheric background and a pet dog. The brushwork is realistic with a soft focus, indicative of the period, and the ornate gold frame suggests a commissioned piece of significance. The name of the boy is Ambrose Gaines Jr. (1906–1985) and it is signed 1909. The size is 41” wide by 54”. Signed, artist is Lloyd Freeman (1874 – 1930), Commissioned American artist from circa early 20thC. Fine Quality Painting
The painting is a traditional early 20th-century portrait, featuring a young boy in formal attire with atmospheric background and a pet dog. The brushwork is realistic with a soft focus, indicative of the period, and the ornate gold frame suggests a commissioned piece of significance. The name of the boy is Ambrose Gaines Jr. (1906–1985) and it is signed 1909. The size is 41” wide by 54”. Signed, artist is Lloyd Freeman (1874 – 1930), Commissioned American artist from circa early 20thC. Fine Quality Painting

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »The painting is a traditional early 20th-century portrait, featuring a young boy in formal attire with atmospheric background and a pet dog. The brushwork is realistic with a soft focus, indicative of the period, and the ornate gold frame suggests a commissioned piece of significance. The name of the boy is Ambrose Gaines Jr. (1906–1985) and it is signed 1909. The size is 41” wide by 54”. Signed, artist is Lloyd Freeman (1874 – 1930), Commissioned American artist from circa early 20thC. Fine Quality Painting

SABBATH AFTERNOON. Grisaille painting, c1875, by Moritz Daniel Oppenheim. The painting exhibits characteristics of 19th-century realism, focusing on genre scenes. It depicts a Jewish family during Sabbath, with detailed domestic interiors and realistic portrayals, emphasizing cultural and religious identity. The brushwork is fine, enhancing textures and patterns, within a warm, earthy palette. Assumes original painting, no COA.
SABBATH AFTERNOON. Grisaille painting, c1875, by Moritz Daniel Oppenheim. The painting exhibits characteristics of 19th-century realism, focusing on genre scenes. It depicts a Jewish family during Sabbath, with detailed domestic interiors and realistic portrayals, emphasizing cultural and religious identity. The brushwork is fine, enhancing textures and patterns, within a warm, earthy palette. Assumes original painting, no COA.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »SABBATH AFTERNOON. Grisaille painting, c1875, by Moritz Daniel Oppenheim. The painting exhibits characteristics of 19th-century realism, focusing on genre scenes. It depicts a Jewish family during Sabbath, with detailed domestic interiors and realistic portrayals, emphasizing cultural and religious identity. The brushwork is fine, enhancing textures and patterns, within a warm, earthy palette. Assumes original painting, no COA.

The painting depicts a serene coastal scene with detailed landscape elements, suggestive of realism. The balanced composition features a cottage and palms, with a sailboat gently resting by the dock, conveying tranquility. The brushwork appears controlled and smooth, characteristic of traditional practices. It is possibly a contemporary artwork imitating earlier artistic styles. It is signed W James (American, circa late 20thC) Known for all kind of realistic style landscape scenes. 3’x2′ size
The painting depicts a serene coastal scene with detailed landscape elements, suggestive of realism. The balanced composition features a cottage and palms, with a sailboat gently resting by the dock, conveying tranquility. The brushwork appears controlled and smooth, characteristic of traditional practices. It is possibly a contemporary artwork imitating earlier artistic styles. It is signed W James (American, circa late 20thC) Known for all kind of realistic style landscape scenes. 3’x2′ size

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »The painting depicts a serene coastal scene with detailed landscape elements, suggestive of realism. The balanced composition features a cottage and palms, with a sailboat gently resting by the dock, conveying tranquility. The brushwork appears controlled and smooth, characteristic of traditional practices. It is possibly a contemporary artwork imitating earlier artistic styles. It is signed W James (American, circa late 20thC) Known for all kind of realistic style landscape scenes. 3’x2′ size

An Original Hand Made Painting of Indian Goddess circa mid to late 20thC, Signed made by unlisted street artist Tenzin Chopak. In surrealist style, circa 1990s. Fine quality painting.
An Original Hand Made Painting of Indian Goddess circa mid to late 20thC, Signed made by unlisted street artist Tenzin Chopak. In surrealist style, circa 1990s. Fine quality painting.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »An Original Hand Made Painting of Indian Goddess circa mid to late 20thC, Signed made by unlisted street artist Tenzin Chopak. In surrealist style, circa 1990s. Fine quality painting.

This is an Original Limited Edition Print by Thomas Kinkade, Print on Canvas, titled “Spring Gate” limited edition number 3777 out of 3950 Depicting a Garden entrance road in Impresionist style, circa 2000s.
This is an Original Limited Edition Print by Thomas Kinkade, Print on Canvas, titled “Spring Gate” limited edition number 3777 out of 3950 Depicting a Garden entrance road in Impresionist style, circa 2000s.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »This is an Original Limited Edition Print by Thomas Kinkade, Print on Canvas, titled “Spring Gate” limited edition number 3777 out of 3950 Depicting a Garden entrance road in Impresionist style, circa 2000s.

An Original Hand Made Painting attributed to listed artist Floyd D. Tunson (American artist active during late 20thC) Entitled 20 Miles to Selma. Urban street art scene painting from circa 1990s, oil on panel, signed.
An Original Hand Made Painting attributed to listed artist Floyd D. Tunson (American artist active during late 20thC) Entitled 20 Miles to Selma. Urban street art scene painting from circa 1990s, oil on panel, signed.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »An Original Hand Made Painting attributed to listed artist Floyd D. Tunson (American artist active during late 20thC) Entitled 20 Miles to Selma. Urban street art scene painting from circa 1990s, oil on panel, signed.

An Original Painting compossed of an Abstract mountain landscape of Lake Louise on the Rocky Mountains.  Abstract textured acrylic painting on canvas with size 36” x 48”, made by Canadian artist Ashley AlexandraAn Original Painting compossed of an Abstract mountain landscape of Lake Louise on the Rocky Mountains.  Abstract textured acrylic painting on canvas with size 36” x 48”, made by Canadian artist
An Original Painting compossed of an Abstract mountain landscape of Lake Louise on the Rocky Mountains. Abstract textured acrylic painting on canvas with size 36” x 48”, made by Canadian artist Ashley AlexandraAn Original Painting compossed of an Abstract mountain landscape of Lake Louise on the Rocky Mountains. Abstract textured acrylic painting on canvas with size 36” x 48”, made by Canadian artist

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »An Original Painting compossed of an Abstract mountain landscape of Lake Louise on the Rocky Mountains. Abstract textured acrylic painting on canvas with size 36” x 48”, made by Canadian artist Ashley AlexandraAn Original Painting compossed of an Abstract mountain landscape of Lake Louise on the Rocky Mountains. Abstract textured acrylic painting on canvas with size 36” x 48”, made by Canadian artist

Attributed to Lynne Mapp Drexler (May 21, 1928– December 30, 1999) was an American abstract and representational artist, painter and photographer. Original work, abstract impressionism, gouache on paper. Abstract multicolored 36″wx29″ composition from circa mid to late 20thC.
Attributed to Lynne Mapp Drexler (May 21, 1928– December 30, 1999) was an American abstract and representational artist, painter and photographer. Original work, abstract impressionism, gouache on paper. Abstract multicolored 36″wx29″ composition from circa mid to late 20thC.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »Attributed to Lynne Mapp Drexler (May 21, 1928– December 30, 1999) was an American abstract and representational artist, painter and photographer. Original work, abstract impressionism, gouache on paper. Abstract multicolored 36″wx29″ composition from circa mid to late 20thC.

This is a Colourful Middle Eastern horsemen depicted hunting, from circa mid to late 20thC. Centered on a base of green velvet and framed in a gorgeous micro mosaic marquetry Khatam frame. Very elaborate with lovely rows of stars/florals and inner and outer edges. Framed painting – 4.5″ – 5.5″, Bone painting.
This is a Colourful Middle Eastern horsemen depicted hunting, from circa mid to late 20thC. Centered on a base of green velvet and framed in a gorgeous micro mosaic marquetry Khatam frame. Very elaborate with lovely rows of stars/florals and inner and outer edges. Framed painting – 4.5″ – 5.5″, Bone painting.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »This is a Colourful Middle Eastern horsemen depicted hunting, from circa mid to late 20thC. Centered on a base of green velvet and framed in a gorgeous micro mosaic marquetry Khatam frame. Very elaborate with lovely rows of stars/florals and inner and outer edges. Framed painting – 4.5″ – 5.5″, Bone painting.

This is a fine quality painting depictings a portrait painting of Northeastern Woodlands Native American Young Woman with Fawn. The Pequot people were “the Water People,” whose territory was the Coasts of Long Island, Connecticut, and Rhode Island. This young Woman’s life is between Ocean and Forest, and their Wetu Village. The artist is American listed artist from 2020s Patrice Le Pera.
This is a fine quality painting depictings a portrait painting of Northeastern Woodlands Native American Young Woman with Fawn. The Pequot people were “the Water People,” whose territory was the Coasts of Long Island, Connecticut, and Rhode Island. This young Woman’s life is between Ocean and Forest, and their Wetu Village. The artist is American listed artist from 2020s Patrice Le Pera.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »This is a fine quality painting depictings a portrait painting of Northeastern Woodlands Native American Young Woman with Fawn. The Pequot people were “the Water People,” whose territory was the Coasts of Long Island, Connecticut, and Rhode Island. This young Woman’s life is between Ocean and Forest, and their Wetu Village. The artist is American listed artist from 2020s Patrice Le Pera.

A Fine Quality circa 1960’s Vintage Rupert Hydan Colonial Ship on the Sea Oil Painting Realist Style Painting, Hydan is a listed American artist Active during late 20thC. Framed.
A Fine Quality circa 1960’s Vintage Rupert Hydan Colonial Ship on the Sea Oil Painting Realist Style Painting, Hydan is a listed American artist Active during late 20thC. Framed.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »A Fine Quality circa 1960’s Vintage Rupert Hydan Colonial Ship on the Sea Oil Painting Realist Style Painting, Hydan is a listed American artist Active during late 20thC. Framed.