This is a report on the value of your artwork. In this document, I’ll describe what you have and do some research to come up with an estimate of how much it’s worth based on all the information you gave me. The different parts of this document make sure that I can make an accurate market valuation based on all the information I found during my research and evaluation.
Understanding the value of your pieces is important to you and will help with any future decisions. This report provides an appraisal estimate for each artwork, using US dollars as a world reserve currency; it does not aim at encouraging anyone to sell their art but rather provides valuable information on what steps should be taken if someone else wanted to.
Description, research, and provenance.
Identification with Artificial Intelligence Test
In the search for a match, Image Search uses AI to look through databases of images and attempt to find ones that are similar. It can do this by using various algorithms like pattern recognition or machine learning. Some results may show as “matches” if there is actually something in common between two photos, but others will remain unknown since they rely more on chance than anything else.
The results of the automatic recognition are not conclusive. If a match is found, it will be shown below:
What specific information can we obtain from this test?
These results are linked to a piece of art that is possibly a reproduction, a limited edition print, or a regular print. To obtain the final conclusion, I need to keep going through the research and inspection processes. What we have here could be legal copies made by reputable artists who use the term “After”. The terms simply means these pieces were produced following such-and -such date which would not necessarily mean they’re illicit duplicates since people can own more than one original painting even though there may only be one genuine version out.
‘Portrait of Charles William Lambton’ (1818-31) by Sir Thomas Lawrence (1769 – 1830). The 1825 work – world renowned as ‘The Red Boy’ – was made when Lawrence, one of the first trustees of the National Gallery, was at the height of his powers as painter and portraitist, a year after the Gallery opened to the public in 1824.
So we know this is a reproduction paining.
What is the age of this artwork?
When trying to determine the age of an artwork, one of the first things to look at is the frame. The style of the frame, as well as the type of artwork and color palette, can give clues as to when it was created. For example, a piece from the Baroque period might have a gilded frame with a complicated design, while a piece from the Renaissance might have a simple wood frame. One way to date a painting is by looking at the frame construction. A frame made with modern metallic parts like flat-head nails, staples, or Phillips-head screws is likely from the 20th century. Older frames will have parts made of irregularly cut wood and metal that has been forged by hand. In some cases, you can see the absence of metallic parts. This is just one example of how the frame is put together and can be used to date a painting.
Based on the color palette and frame construction, I concluded that the painting was created in the early 20th Century, the frame is modern.
Who has made this artwork?
I study and research the signature of artwork to see if it matches any known signatures. At this step, I also inspect papers with an artist’s name or other identifying features like stickers that may help me identify who made their work. Provenance, if any, is considered as an input to try to find out if the artist is relevant.
A picture of the signature is depicted below:
I can read the signature as:
At this point, I can use the signature and try to find the artist’s name in a database of known-listed artists. Basically, it is a database with information about the names, surnames, origins, and biographies of the most well-known artists.
I found that the artist who painted this is a listed and well known artist. In fact, Edmund Wardle created a Mezzotint of this artwork and signed each of them (you have one of them).
A mezzotint is a type of printmaking that produces rich, velvety blacks and is often used for portraits. The technique was developed in the 17th century and gets its name from the Italian word mezzotinto, meaning “half-tone” or “mid-tone.” To create a mezzotint, an artist starts with a smoothly polished copper plate. Using a tool called a “rocker,” they then roughen the surface of the plate, creating tiny depressions that will hold ink. This step is called “cutting the grain.” Next, the artist uses various tools to further sculpt the image into the plate. Finally, the plate is inked all over and then wiped clean, leaving ink only in the depressions. The resulting print has a subtle gradation of tones, from deep black to light gray. Mezzotints can be time-consuming to create, but the striking results are well worth the effort.
Medium, frame construction, style, and frame
I can check if the style and type of painting match those of the artist referenced. I confirm this artwork is a Mezzotint hand signed by listed artist Edmund Wardle.
I would encourage anyone interested in purchasing this artwork to do so quickly, as it is likely to become more valuable over time. paintings of this quality are becoming increasingly rare, so it is a good investment.
[rm_focus_keyword] : Final Appraisal Value ($)
Appraisal Report made by:
BSc, MSc, Expert Art Appraiser
10+ years of experience in Online Art Appraisals
100k+ Customers Served
Antique Store Owner
You can check my portofolio of past appraisals here:
How to sell it
Antiques, art, and other collectibles are difficult items to sell online. This can take a lot of time. Be patient, but also make sure that the price you are asking for is the right one for your pieces of art. Consider the following tips on how to sell antiques and collectibles online: These tips will help maximize the price of your antique or collectible.
I would recommend selling it online. There are many ways to do this. For instance, Post an ad on Craigslist. Use eBay to sell antiques online. Post a listing on the Etsy marketplace. Sell with direct messages using Instagram. You can create a website using Squarespace or WordPress. Use Shopify to sell via a website, POS and social channels. List your items on Bonanza.com, Facebook Marketplaces, or Amazon Marketplaces. If you don’t have time, I would recommend starting with Facebook, Etsy, and Amazon.
The key to selling antiques online is to let potential customers know that you know what you are talking about. It’s much more difficult to sell something when the potential buyer can’t be sure it’s authentic. Sellers should use a well-thought out descriptive guide like this one. A good lead generation service should be helpful in establishing these relationships with online buyers, and an effective way to do this is through classified ads. If a buyer asks for more information, giving them some valuable facts well ahead of time will get you more sales because your reputation will increase and real customers are the ones who ask for more details.
In order to sell your antiques online, you will need to create a profile on the relevant forum (Etsy, Amazon, and FB). Make sure you add a high-resolution image of the product (include at least 3 detailed photos) and add some text. The text should be informative and straight to the point; nothing fancy or fluffy.
Asking price is a big factor in selling your antique. If your asking price is too high (fancy company stickers, missing parts, or chipped paint), you are unlikely to get many bids. If the asking price is too low, it will cost you money for repairs, shipping, and insurance. As a general rule, I would recommend setting an asking price that is 80% of the value of this report, so you will make the listing attractive from the beginning.
About the valuation method
I have considered the results from past auction sales to value this item. Keep in mind that the final price can be different from the asking price that you can find on the internet. You can see ads on the internet with different asking prices. However, a very high asking price doesn’t normally generate cash from a buyer.
That’s why our method comprises searching and comparing similar past sale results that had a buyer. That’s why we can provide an accurate estimation of this item.
For art pieces, remember that it isn’t the same as a print, a limited edition print, or an original art piece. If the artist can’t be found, the painting’s value is based on its quality and how interested the market might be in it.
To value this item, I have considered the results from past auction sales. Keep in mind that the final price can be different from the asking price that you can find on the internet. You can see ads on the internet with different asking prices. However, a very high asking price doesn’t normally generate cash from a buyer. That’s why our method comprises searching and comparing similar past sale results that had a buyer. That’s why we can provide an accurate estimation of this item.
Trying to determine the likely interests and tastes of a broad market can be tricky. You might not think collectors would be interested in works by a lesser-known artist, but they might be more interested than you think. You can’t know for sure without doing some market research. The same is true for artists whose work is in major museums or galleries but does not command high prices at auction or from dealers. Do not confuse the print with the original limited edition. Be aware that the value of a piece of art is linked to the artist’s name and reputation. The work’s quality and how interesting it might be are also important parts of its evaluation.
Quality art can be a good investment, but a large print or lithograph might not be as valuable. There are many different kinds of prints. Original works of art are worth the most, followed by limited edition prints, which can only be made in a certain number.