Vanguard Studios Paintings Value can vary a lot from one painting to another. They are are some of the most valuable and sought-after pieces in the world. The studio’s vibrant and iconic style has been immensely popular with collectors, fetching high prices at auction.
Vanguard Studios Paintings Value: ¿ Who is Lee Reynolds ?
Lee Reynolds is a pseudonym, he was the owner of Vanguard Studios and used the name as a pseudonym. He was known for his unique approach to art, which often involved using found objects and incorporating them into his paintings. While pseudonyms are often used by artists who want to remain anonymous, they can also be used by artists who want to create a brand for themselves. For example, Banksy is a famous street artist who uses a pseudonym. In this case, the name was used as a marketing brand, it involved several different unknown/street artists that were hired to make paintings.
Vanguard’s most famous artist is undoubtedly Lee Reynolds. A native of California, Reynolds began his career as a commercial illustrator before turning to painting full-time in the early 1970s. His bold and colorful style quickly gained popularity, and he soon became one of Vanguard’s most successful artists.
Vanguard Studios Paintings Value: Lee Reynolds Full Biography
Lee Reynolds Burr, a Los Angeles native, received a BFA from the University of Southern California. He previously chaired the board of directors at Los Angeles’ East Park Gallery. Hazel Stuart Burr and Charles Reynolds Burr welcomed Lee into the world in Los Angeles, California in 1936. He went to Los Angeles High School and graduated from USC with a degree in fine arts. In the US Army, Lee enrolled before receiving an honorable discharge in 1956. Lee started working as a painter for a nearby studio after arriving back in Los Angeles. He was the director of Vanguard Studios in Beverly Hills, California in the late 1960s, and many thousands of works of art bear the signature “Lee Reynolds” or “Lee Burr.” He quickly realized he wanted to start his own art business and used a small loan from his mother to found Vanguard Studios in the 1960s. In order to give original oil paintings to people who might not have been able to buy fine art, Vanguard Studios was created. Lee created original artworks that were subsequently handcrafted in an assembly line method by a group of artists he personally selected. In the US, home designers and furniture retailers bought the paintings. Vanguard Studios rose to become the top national manufacturer and designer of wall decor. Lee’s name appears in tens of thousands of paintings under various spellings, including “Lee Reynolds,” “Reynolds,” “Lee Reynolds Burr,” and “Lee Burr,” but only a small number of them were actually created by Lee. Miami’s Joe Robbie Stadium is home to one of Lee’s large-scale commissioned pieces, while the Los Angeles airport housed a 21-foot triptych for more than 20 years. In December 1974, the Kirsch Company purchased Vanguard Studios in a public offering, and that business kept using Lee’s name on its paintings. The following is an effort by the artist to dispel any misunderstanding that may exist regarding these works of art, which were created by others. LEE REYNOLDS Artist Statement: I have created no more than 200 “Original” paintings and sculptures in my lifetime. Simply put, Lee Reynolds was a business name. It was affixed to many designs and pieces of art at Vanguard Studios. At the time, Vanguard Studios was the biggest distributor of ornamental art worldwide. I oversaw the creation of the product. Although I was directly in charge of numerous compositions, prototypes, and designs, I did not really create any of the “LEE REYNOLDS”-signed works of art. In truth, all of the paintings with the “LEE REYNOLDS” signature that were sold globally were created by staff artists working for Vanguard Studios. Vanguard Studios did NOT sell collectible art; only decorative art was available. LEE BURR I’ve never touched a painting bearing the “Lee Burr” signature that was created at Vanguard Studios. The signature “LEE BURR” only appears on signed posters and limited edition graphics, and it is an actual signature. Rarely did I touch any “Lee Burr”–signed works created at East Park Gallery. Nearly majority of them were created by Rudolpho Carlos, my then-assistant, in response to requests from art dealers. They were created and made available in a wide range of shapes and colors. They were interpretations of an example piece that I completely designed and created myself. Simply because my assistant’s derivative works were painted over over time by my assistant as he made them, only a small number of these examples—and only a small number really created by my hand at East Park Gallery—were ever distributed. These were referred to as “series originals”. Then, these pieces of art ranged in price from $1,000 to $2,000 USD. Important: I now sign all of my personal works—those created totally by hand—with my full name, Lee Reynolds Burr, to denote authorship and prevent confusion. These original pieces now include a thumb print that I just added. I hope this clears up some of the ambiguity. After Vanguard Studios was sold, Lee and his family moved to New York. By founding East Park Gallery in Sylmar, California, in 1981, Lee re-entered the art world. East Park was a firm with a similar premise as Vanguard Studios, but with a more modern aesthetic. In 1998, Lee moved to Indian Wells, California, where he stayed until his passing.
How to value a Vanguard Studios Painting?
Other notable Vanguard artists include Mel Ramos, who is best known for his paintings of pin-up girls, and Wayne Thiebaud, whose work often depicts cakes and other desserts. Collectors worldwide eager to add a Vanguard Studios painting to their collection.
When valuing a Vanguard Studios painting, several factors must be considered. The most important factor is the artist’s name. A painting by Lee Reynolds or Mel Ramos will always be worth more than one by an unknown artist. The painting’s subject matter is also important. “Elvis at Graceland” is obviously more valuable than a painting of a generic landscape. The painting’s size and condition are also important considerations. A large, pristine painting will always be worth more than a small, damaged one.