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Home » Very Large Size HEAVY HAND BLOWN SIGNED SILVANO SIGNORETTO MURANO LOVERS GLASS SCULPTURE from circa 2000s Fine Quality Depicting two lovers in Blue and Crystal Colors

Protected: Very Large Size HEAVY HAND BLOWN SIGNED SILVANO SIGNORETTO MURANO LOVERS GLASS SCULPTURE from circa 2000s Fine Quality Depicting two lovers in Blue and Crystal Colors

Andres G

Andres G

BSc, MSc, Expert Appraiser of all kinds of Antique items. More than 10 years of experience in the Appraisal Industry, 100k+ customers served with exceptional ratings by the users. Antique store owner and businessman.

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Attributed to Victor Mahu (1665 – 1700) oil on panel vividly captures a lively, rustic scene with figures engaged in merriment and daily life, using rich colors and detailed brushwork to evoke a sense of warmth and community.

This appraisal report furnishes a meticulous and impartial assessment of… Read More »Attributed to Victor Mahu (1665 – 1700) oil on panel vividly captures a lively, rustic scene with figures engaged in merriment and daily life, using rich colors and detailed brushwork to evoke a sense of warmth and community.

The artwork is a figurative painting on plywood, exhibiting expressive sculpted lines and a glazing technique that enhances body depiction, resonant of the warm palette found in Rembrandt’s work. It appears modernist, with potential Cubist influences, hinting at an early to mid-20th-century origin. The composition is intimate and focused, with a noteworthy underlying layer that suggests additional figures or elements. This is an After Amedeo Modigliani a version of his known painting “Female nude” likely made in circa 18-19thC

This is a document rather than a traditional painting, it’s an art-infused bond certificate blending financial and artistic conceptual art. Its linear design and typography reflect a modern aesthetic, emphasizing the artwork’s unique fusion of financial instrument and art, commemorating support for Theaster Gates’ Stoney Island Arts Bank initiative.

This appraisal report furnishes a meticulous and impartial assessment of… Read More »This is a document rather than a traditional painting, it’s an art-infused bond certificate blending financial and artistic conceptual art. Its linear design and typography reflect a modern aesthetic, emphasizing the artwork’s unique fusion of financial instrument and art, commemorating support for Theaster Gates’ Stoney Island Arts Bank initiative.

The image presents a detailed monochrome print resembling 19th-century Realism, capturing a rustic scene with figures laboring in a landscape—a testimony to the ordinary life of its period. The texture and depth suggest a fine etching technique, with delicate line work and tonal variation indicative of skilled craftsmanship. This engracing is titled “La Fontaine” the original painting by Jules Breton, vintage engraved illustration. Magasin Pittoresque circa 1876.

This appraisal report furnishes a meticulous and impartial assessment of… Read More »The image presents a detailed monochrome print resembling 19th-century Realism, capturing a rustic scene with figures laboring in a landscape—a testimony to the ordinary life of its period. The texture and depth suggest a fine etching technique, with delicate line work and tonal variation indicative of skilled craftsmanship. This engracing is titled “La Fontaine” the original painting by Jules Breton, vintage engraved illustration. Magasin Pittoresque circa 1876.

The painting features an Impressionistic style with visible brushstrokes creating a sense of movement. It depicts two ladies in a garden, one reading and the other standing, within a dappled light setting. The composition evokes a peaceful, leisurely atmosphere, characteristic of late 19th to early 20th century. This is an After rederick Carl Frieseke (1874–1939) Impresionist American Artist Titled Lilies painting originally made in 1911.

This appraisal report furnishes a meticulous and impartial assessment of… Read More »The painting features an Impressionistic style with visible brushstrokes creating a sense of movement. It depicts two ladies in a garden, one reading and the other standing, within a dappled light setting. The composition evokes a peaceful, leisurely atmosphere, characteristic of late 19th to early 20th century. This is an After rederick Carl Frieseke (1874–1939) Impresionist American Artist Titled Lilies painting originally made in 1911.

The painting depicts a stylized portrait with a pop art influence, incorporating bold lines and contrasting colors. The background patterns suggest a blending with street art aesthetics, producing a contemporary urban feel. The face is expressive, with a slight Warhol-esque sensibility. The work seems to be modern, possibly late 20th or 21st century. Artist is Frank Shepard Fairey (Obey) this is a known portrait titled “DEBBIE HARRY” originally made circa 2005. Assumed it is the original oil painting.

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This appraisal report furnishes a meticulous and impartial assessment of… Read More »The painting “Fishing Boats at Dusk” by Ernst Lorenz-Murowana, circa 1930, is a moody marine scene that portrays the quietude and subtle activity of fishing boats against the backdrop of an overcast sky. Lorenz-Murowana’s use of a pseudonym indicates a complex artistic identity, common among artists for various reasons, including exploring different styles or themes without the constraints of their established reputation. The canvas captures the waning light of dusk with a muted palette, emphasizing the silhouettes of the boats and their sails. The brushwork conveys both the movement of the water and the tranquility of the scene. The painting’s atmosphere is reflective of the period’s artistic trends, where evocative landscapes and seascapes were popular, often imbued with a sense of nostalgia or romanticism.

This lithograph, part of Joan Miró’s “Gaudi Series #28,” showcases the artist’s signature abstract style with vibrant colors and whimsical shapes, reminiscent of Antoni Gaudí’s influence. Miró often drew inspiration from his Catalan heritage, as did Gaudí, which is reflected in the organic and surreal forms in this piece. The limited edition size, one of only 50, underscores its exclusivity. The dimensions suggest a substantial work, allowing the viewer to fully engage with its bold forms and playful yet sophisticated composition. Miró’s lithographs are celebrated for their imaginative approach and innovative use of color and form.

This appraisal report furnishes a meticulous and impartial assessment of… Read More »This lithograph, part of Joan Miró’s “Gaudi Series #28,” showcases the artist’s signature abstract style with vibrant colors and whimsical shapes, reminiscent of Antoni Gaudí’s influence. Miró often drew inspiration from his Catalan heritage, as did Gaudí, which is reflected in the organic and surreal forms in this piece. The limited edition size, one of only 50, underscores its exclusivity. The dimensions suggest a substantial work, allowing the viewer to fully engage with its bold forms and playful yet sophisticated composition. Miró’s lithographs are celebrated for their imaginative approach and innovative use of color and form.

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