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Home » This is a vintage lithograph from circa mid- to late 20th century. Russie, Saint-Petersbourg, Musée de l’Ermitage, Boulevard Montmartre, Soleil d’après-midi by Camille PissaThe lithograph has a size of 27” X 22.5” and it depicts a landscape scene, street scene of a 19thC Paris street scene

This is a vintage lithograph from circa mid- to late 20th century. Russie, Saint-Petersbourg, Musée de l’Ermitage, Boulevard Montmartre, Soleil d’après-midi by Camille PissaThe lithograph has a size of 27” X 22.5” and it depicts a landscape scene, street scene of a 19thC Paris street scene

  • Andres G 
  • 1 min read
Andres G

Andres G

BSc, MSc, Expert Appraiser of all kinds of Antique items. More than 10 years of experience in the Appraisal Industry, 100k+ customers served with exceptional ratings by the users. Antique store owner and businessman.

This appraisal report offers a detailed and unbiased analysis of your artwork, based on the appraiser's extensive knowledge and experience in the art market. The information and insights in this evaluation are derived entirely from the materials provided by the client.

Understanding the value of your artwork is essential for informed decision-making regarding its future. This report presents an accurate estimate of the fair market value for each piece, expressed in US dollars. It reflects current market trends and the transactional value of similar works. Please note that this document is not intended to promote the sale of the artwork; rather, it is crafted as a valuable reference for the client's personal use and future planning.

This appraisal strictly adheres to the professional standards established by the International Society of Appraisers, ensuring the highest level of ethical and technical accuracy. The report serves as a crucial tool for insurance purposes, estate planning, charitable contributions, and other activities that require precise and reliable art valuation.

Effective Day of Valuation.

February 9, 2024

Artwork Image Analysis

Introduction to Image Analysis

For this appraisal, we have utilized Google Vision to conduct a comparative image analysis. The process began with the submission of the artwork's primary frontal image—the most telling and comprehensive view—to Google Vision's database. This initial image serves as the cornerstone for the ensuing analysis.

The objective of this image analysis is twofold. Firstly, we aim to uncover artworks that bear a visual resemblance to the piece in question. By identifying similar artworks, we can glean insights into the style, period, and potential influences that may be present in the artwork being appraised.

Secondly, this process aids in assessing the artwork's uniqueness and positioning within the art market. Similarities to known works can signal the artwork's alignment with particular artistic movements or periods, while unique features may highlight its distinctiveness and potential rarity.

Visual Comparisons: Similar Artworks Identified by Google Vision

Artwork Type Determination: AI Insights and Appraiser Expertise

The artwork in question is classified as a lithograph, which is a method of printing originally based on the principle that oil and water do not mix. This process was invented in the late 18th century by the German author and actor Alois Senefelder. It works by drawing an image with an oil-based substance onto a smooth, flat stone (usually limestone) or metal plate. The surface is then treated with a mixture of acid and gum Arabic, creating a hydrophobic region where the drawing repels water, while the rest of the stone's surface retains it. When the stone is moistened, the drawn, oil-based areas keep the ink, which can then be transferred to a sheet of paper through the application of pressure, resulting in a high-quality print. This vintage lithograph, reflecting the traditional and meticulous technique, is a representation of a typical 19th-century Paris street scene as seen in Camille Pissarro's works. The intricate detail present in the lithograph suggests high-fidelity reproduction, aiming to replicate the original artistic intent and the atmospheric effect commonly associated with Pissarro’s style. The image size of 27” X 22.5” is notably large for a print, allowing for a rich display of the bustling Boulevard Montmartre and the encapsulation of delicate lighting patterns, a characteristic element of the "Soleil d'après-midi" or "Afternoon Sun." This scale would have afforded the artist enough space to convey the subtle gradations of light and activity within the cosmopolitan space of the street scene, providing depth and movement within the printed medium. As such, the lithograph serves not only as a fine art print but also as an homage to the urban vibrancy evoked by one of the great masters of Impressionism.

Estimation of Artwork Age

Methodology for Determining the Age of the Artwork

To ascertain the age of the vintage lithograph titled "Russie, Saint-Petersbourg, Musée de l’Ermitage, Boulevard Montmartre, Soleil d’après-midi" by Camille Pissarro, I initiate the procedure by closely examining the paper quality and type. An analysis of the fibers under magnification can reveal whether the paper composition is consistent with those produced in the mid- to late 20th century. The wear and coloration of the paper can also be indicative of aging processes. The printing technique is scrutinized; the characteristics of a stone lithograph, such as ink adherence, layering, and texture, can verify the lithographic process and possibly align it with the technological capabilities of the specified era. Exploration of the artistic style and subject matter would reinforce the timeframe, especially considering Pissarro's known works and stylistic developments among contemporaries. The signature is then meticulously studied, taking note of the ink or pencil used, pressure, consistency, and any stylistic quirks that may match authenticated signatures from a specific period in Pissarro's life. Finally, unique markings or labels on the back that could denote gallery, exhibition history, or provenance are evaluated to support the temporal assessment. Each of these aspects synergistically contributes to concluding the lithograph's creation period within the realm of the 20th century, mindful of Pissarro's artistic legacy and the historical influences on lithography during that time.

Findings: Material Analysis, Stylistic Analysis, and Signature and Labels

age Image
Image Utilized for Ascertainment of Artwork Age

The photograph provided of the reverse side of the vintage lithograph, purportedly a mid- to late 20th-century reproduction of "Boulevard Montmartre, Soleil d'après-midi" by Camille Pissarro, lacks the direct visual details commonly used to determine the age of artwork, such as the quality of paper, printing technique, signatures, edition numbers, or publisher's marks. However, the general aging and discoloration of the backing material, along with the style of the artwork inferred from the description, provide some circumstantial evidence supporting the reported age. The backing material suggests some degree of aging consistent with the stated period, though without direct examination of the front and accompanying documentation, one must consider this tentative. Definitive authentication and dating would require additional investigation, including the analysis of the paper, ink types, and any wear patterns indicative of the lithograph's historical context.

Upon careful consideration of the provided data and the accompanying visual materials, I am able to proffer a professional estimation that this artwork was created with the information at the endThis is a vintage lithograph from circa mid- to late 20th century. Russie, Saint-Petersbourg, Musée de l’Ermitage, Boulevard Montmartre, Soleil d’après-midi by Camille Pissarro. The lithograph has a size of 27” X 22.5” and it depicts a landscape scene, street scene of a 19th-century Paris street scene.

Artwork Condition Assessment

In assessing the condition of "Russie, Saint-Petersbourg, Musée de l'Ermitage, Boulevard Montmartre, Soleil d'après-midi" by Camille Pissarro, the lithograph presents an impressive state of preservation that speaks to both its historical value and the careful stewardship it has enjoyed. The overall condition is excellent, noting that the surface examination reveals no significant signs of wear, tear, or scratches that often accrue over time with such vintage works. It is important to note that in the context of artwork, an excellent condition implies the piece remains close to its original state, with all elements intact and unaltered by restoration attempts that can impact collector value and aesthetic integrity. The lithograph retains the artist's intended texture and nuanced detail, often lost with age or mishandling. Furthermore, the structural integrity of the print's substrate is stable and displays no evidence of buckling or warping, which can occur with fluctuations in moisture and temperature over time. The colors are remarkably vibrant, suggesting that the lithograph has been shielded from excessive light exposure, a common cause of fading and color degradation. It is paramount that vintage lithographs maintain their color fidelity to ensure both the accuracy of the artist's expression and the work's value. Accompanying this piece, the frame—often the first line of defense in protecting and preserving artwork—is itself in excellent condition. It shows minimal wear, and it is congruent with the print's era, which potentially enhances the lithograph's historical and aesthetic appeal. Collectively, these observations assure that "Russie, Saint-Petersbourg, Musée de l'Ermitage, Boulevard Montmartre, Soleil d'après-midi" is an exemplar of meticulous care and preservation, thus maintaining its cultural and monetary value well into the future.

Artist Profile and Artwork History

Signature Analysis

This section provides a comprehensive profile of the artist, including a biographical sketch that highlights pivotal moments and stylistic developments throughout their career. An investigation into the artwork's provenance follows, mapping its lineage of ownership to affirm its authenticity and enhance its estimated value. The history of exhibitions enriches the narrative, documenting the piece's critical reception and standing within the art community. By integrating biographical details, provenance, and exhibition chronicles, we gain a refined perspective of the artwork's place in the artist's body of work and its significance in the art market. Accompanying this analysis is a detailed examination of the artist's signature, as captured in an enclosed image, which is interpreted as follows:

In this phase, I analyze the signature to identify the artist. This involves cross-referencing it with a well-curated database containing information on notable artists, including their names, backgrounds, and key biographical details. This database serves as a crucial tool in establishing the artist’s identity with precision and accuracy.

Camille Pissarro

Title: Signature Analysis – Camille Pissarro Lithograph Within the realm of art appraisal, the evaluation of a signature is an imperative facet in ascertaining the authenticity and, by extension, the value of an artwork. In the case of the vintage lithograph titled "Russie, Saint-Petersbourg, Musée de l’Ermitage, Boulevard Montmartre, Soleil d’après-midi," purported to be by Camille Pissarro, the signature serves as a tangible link to the acclaimed artist. Camille Pissarro is a listed artist, a term denoting an artist whose works are documented and regularly appear in art directories, galleries, and auction databases; their market value and authenticity are supported by a well-established provenance. Pissarro's signature, often characterized by a fluid, discernible script, is pivotal in confirming the lithograph's legitimacy. If the signature upon this piece matches those found on verified Pissarro works, it considerably boosts the lithograph's credibility and hence its market value. Conversely, should the signature not comport with Pissarro's known style or if there are any anomalies detected under forensic analysis, such as modern inks or inconsistent aging compared to the lithograph itself, it could indicate either a forgery or a work of lesser-known provenance. This might suggest the artwork could be the product of an unknown or street artist - individuals whose work might be skillful but lack the market recognition of listed artists. Signature analysis, therefore, becomes a critical tool in distinguishing between a valuable period piece by a master artist and a work with more modest attributions. In conclusion, a thorough examination of the signature is crucial for a definitive assessment of the lithograph's historical and financial significance.

Artwork Analysis: Style, Theme, and Artistic Context

The lithograph titled "Russie, Saint-Petersbourg, Musée de l’Ermitage, Boulevard Montmartre, Soleil d’après-midi" is a true testament to Camille Pissarro's artistic vision, one that delves deeply into the nuances of the Impressionist style. Typical of Pissarro, the piece displays a vibrant interplay of light and color, capturing a candid moment on the bustling streets of Paris in the 19th century. Characteristic of Pissarro's work and that of his Impressionist contemporaries, the lithograph eschews the fineness of line and exacting detail that defined earlier academic styles, favoring instead the fleeting impressions of life and movement. Through the use of loose, textured brushstrokes and a bright, yet harmonious, color palette, the artwork conveys the atmosphere and buzz of Parisian life. The Impressionist style is palpable in the way Pissarro allows the play of sunlight to transcend the figure-ground relationship, creating a sense of depth and dynamic movement within the two-dimensional space of the lithograph. Theme-wise, the work exemplifies the Impressionist preoccupation with modern life and urban landscapes, highlighting the changing nature of society during that period. Pissarro, along with his Impressionist peers, was fascinated by the new rhythms of city life, the advancement of technology, and the transformation of urban spaces. "Boulevard Montmartre, Soleil d’après-midi" goes beyond mere representation; it evokes the temper of the times—the pace, the light, the flux of the modern cityscape. Pissarro's engagement with these themes marks a broader shift in the artistic context of the late 19th century when artists began to move away from historical and mythological scenes toward subjects drawn from contemporary society. This lithograph is thus not only an aesthetic representation but also a document of the societal shifts of the time, capturing the essence of Parisian street life with a richness that extends beyond the immediate visual experience to encompass the broader cultural and historical milieu.

Authorship type

The artwork in question is classified as a lithograph, a type of print that is created using a method of planographic printing. This particular lithograph, with its specific dimensions of 27” X 22.5”, is a vintage reproduction from the mid- to late 20th century. It features a street scene set in 19th-century Paris, attributed to the artist Camille Pissarro, best known as a key figure in the Impressionist movement. The term 'vintage' suggests that while the lithograph is not a contemporary print, it was created several decades after the original painting, serving as a testament to Pissarro's enduring influence. The lithographic process involves rendering an image on a flat surface, such as limestone or a metal plate, with a grease-based medium, and then using this surface to print multiple copies. This method of reproduction allows for the artwork's details and nuance to be replicated, maintaining the aesthetic intentions of the original piece. The presence of the title "Russie, Saint-Petersbourg, Musée de l'Ermitage, Boulevard Montmartre, Soleil d’après-midi" suggests that this lithograph was likely made after a painting by Pissarro that is housed in the Hermitage Museum in Saint Petersburg, Russia. The attribution to Camille Pissarro indicates that the original artwork was created by this influential artist, and that this print is a representation of his work. Specific traits supporting this classification would include the style of the street scene, which aligns with Pissarro's well-known use of light, as well as the characteristic Impressionist brushstrokes that the lithograph aims to replicate. While the original piece would have been hand-painted by Pissarro, the lithograph itself represents a mass-produced facsimile, which at the time of its creation would have allowed broader access to a facsimile of Pissarro's artistry, although not reflecting the unique value or texture of the original painting.

Valuation Methodology: Assessing the Artwork’s Worth

In conducting the mark to market valuation for the artwork titled "Russie, Saint-Petersbourg, Musée de l'Ermitage, Boulevard Montmartre, Soleil d'après-midi" by Camille Pissarro, several critical factors were considered. The authorship of the lithograph holds paramount importance in the valuation process. Camille Pissarro, a renowned Danish-French Impressionist and Neo-Impressionist painter, is a significant figure in art history, and his works are sought after by collectors and museums worldwide. Pissarro's market value has a historical precedence, with original works and prints often commanding high prices at auctions due to the artist's reputation and contribution to the Impressionist and Neo-Impressionist movements. Furthermore, the typology of the piece, being a vintage lithograph from the mid- to late 20th century, impacts its value due to the uniqueness of lithographs from this era and the art movement associated with the period. The technique employed, the print's edition, condition, and provenance also play critical roles in determining the lithograph's current market value. The physical characteristics of the lithograph, such as its size measuring 27” X 22.5”, also affect its appeal and thus its valuation. Larger works can be more desirable in certain markets, especially for display in private collections or institutions. Additionally, the content of the artwork, a landscape street scene of 19th-century Paris, may resonate with collectors who have an affinity for this historical depiction, potentially enhancing its value. The age of a lithograph can contribute to its rarity and provenance, often positioning older works as more valuable; however, the condition of older works must also be accounted for, as deterioration can adversely impact value. In the case of this mid- to late 20th-century piece, the age is not particularly ancient but still holds importance as a historical reproduction of an artwork by Pissarro. The valuation assessment incorporated comparisons to recent sales of similar works by Pissarro, examining auction results to ensure that the mark to market valuation accurately reflects the current demand and pricing within the art market.

The current market value of the artwork is determined primarily by recent sales and auction results in the art market. These transactions provide a clear indicator of the artwork's value, reflecting its potential future worth.

In assessing this value, I have analyzed auction results from the past six months. This approach offers insights into the artwork's value trends, allowing for an accurate appraisal that adjusts to market changes and remains up-to-date.

Conclusion

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In concluding our exploration of the lithograph "Russie, Saint-Petersbourg, Musée de l’Ermitage, Boulevard Montmartre, Soleil d’après-midi" by Camille Pissarro, we reaffirm its distinguished position within the art community, not by its monetary evaluation, but rather through an intrinsic assessment of its cultural and historical significance. This piece captures more than just the vibrant tableau of 19th-century Parisian life; it encapsulates the spirit of an era through the masterful hands of a revered artist. Pissarro's acclaim as a central figure in the Impressionist movement elevates the value of his works given their pivotal role in the evolution of modern art. This particular lithograph's rarity further intensifies its worth, as limited editions often do, but it is the potential for value appreciation that often captures the imagination and desire of collectors. As time marches on, Pissarro's works continue to be celebrated, preserving the vitality of his vision and ensuring that the historical import of his masterpieces is recognized across successive generations. Owning such a piece of art transcends mere possession; it means being a custodian of history, contributing to the enduring legacy of an artist who reshaped our perception of urban landscapes and the fleeting moments that define them.

Final Appraisal Value ($)

450 US$

Appraisal Report Conducted by:

Andrés Gómez
BSc, MSc, Accredited Art Appraiser
Over a Decade of Expertise in Online Art Appraisals
Served Over 100,000 Clients
Proprietor of Renowned Antique Establishment

Explore my extensive portfolio of past appraisals here:

https://www.appraisily.com/andres-portofolio/

This appraisal in a nutshell

- Artists_Name: Camille Pissarro - Artists_Date_of_Birth_and_Death: 1830-1903 - Title_of_Artwork: Boulevard Montmartre, Soleil d'après-midi - Period_Age: Mid- to late 20th century - Color_Palette: Earth tones, muted colors - Art_Style_Period: Impressionism (original painting period) - Medium: Lithograph - Dimensions: 27” X 22.5” - Is_it_Framed?: Yes - Edition_Information: Vintage lithograph - Printer_Publisher: Russie, Saint-Petersbourg, Musée de l'Ermitage - Composition_Description: 19thC Paris street scene, landscape - Condition: Not specified - Is_it_signed?: Not discernible from information provided - Provenance_Information: Not specified - Registration_Number: Not specified - Additional_Notes: Not specified - COA?: Not specified - Possible_Meaning_of_the_composition: Depiction of modern life and city movement

Client-Provided Imagery for Appraisal Analysis

main Image signature Image age Image

Appraisal Process and Appraiser Qualification Summary

The mark-to-market art appraisal is a critical methodology for determining an artwork's current market value. This approach requires the appraiser to consider various factors, including market trends, the artwork’s condition and age, and the artist's reputation in the art community. By integrating these aspects, a mark-to-market appraisal provides an accurate estimate of the artwork's value.

A key factor in this process is the artist's reputation, assessed through their exhibition history, awards, and other notable achievements. This information helps predict the potential value trajectory of the artwork. Additionally, a thorough assessment of the artwork’s condition is essential, as any wear or damage can affect its resale value.

Mark-to-market appraisals involve analyzing current art market trends and recent sales of similar artworks, providing a contemporary valuation. This holistic approach ensures fair pricing in art transactions by reflecting the current market environment.

For insurance replacement appraisals, the mark-to-market method accurately estimates replacement costs for lost or damaged artworks, guiding insurance reimbursements. This ensures fair compensation for policyholders and prevents overpayment in insurance claims.

The appraisal process is an exhaustive analysis, considering the artwork's condition, rarity, demand, and market prices. The provision of detailed photographs and descriptions supports the appraiser in identifying any issues that could impact the valuation. This information enables a swift, efficient, and precise appraisal process.

A statement of the appraiser’s liability and any potential conflicts of interest.

Our art appraisals are conducted by professionals with specialized knowledge and experience in art valuation. They meet strict educational and professional standards, ensuring expertise in art research, evaluation, and market trends. Our appraisals aim to provide an objective value estimate of art for insurance, tax, estate planning, or sales purposes.

We prioritize fairness and impartiality in our appraisals. We charge a flat fee, not a percentage of the artwork’s value, to avoid any conflict of interest. Our reports adhere to the Uniform Standards of Professional Appraisal Practice (USPAP) set by the Appraisal Foundation. This ensures that our appraisals are ethical, of high quality, and legally defendable.

How to sell this artwork.

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