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Home » An Original Painting based in the Painting “In Love” by Marcus C. Stone (1840–1921) original painting is from 1888. This reproduction is signed H Scholten(Hendrik Jacobus Scholten 1824-1907), oil on canvas 10×14.5 inch. It was made circa 1890s. This painting depicts a young woman in a white gown, seated on a garden bench, deeply engrossed in a book. The tranquil garden setting is enclosed by lush greenery and a stone wall, with blooms adding color. The scene, set under soft late afternoon light, captures a moment of serene, Victorian leisure and contemplation.

An Original Painting based in the Painting “In Love” by Marcus C. Stone (1840–1921) original painting is from 1888. This reproduction is signed H Scholten(Hendrik Jacobus Scholten 1824-1907), oil on canvas 10×14.5 inch. It was made circa 1890s. This painting depicts a young woman in a white gown, seated on a garden bench, deeply engrossed in a book. The tranquil garden setting is enclosed by lush greenery and a stone wall, with blooms adding color. The scene, set under soft late afternoon light, captures a moment of serene, Victorian leisure and contemplation.

  • Andres G 
  • 1 min read
Andres G

Andres G

BSc, MSc, Expert Appraiser of all kinds of Antique items. More than 10 years of experience in the Appraisal Industry, 100k+ customers served with exceptional ratings by the users. Antique store owner and businessman.

This appraisal report offers a detailed and unbiased analysis of your artwork, based on the appraiser's extensive knowledge and experience in the art market. The information and insights in this evaluation are derived entirely from the materials provided by the client.

Understanding the value of your artwork is essential for informed decision-making regarding its future. This report presents an accurate estimate of the fair market value for each piece, expressed in US dollars. It reflects current market trends and the transactional value of similar works. Please note that this document is not intended to promote the sale of the artwork; rather, it is crafted as a valuable reference for the client's personal use and future planning.

This appraisal strictly adheres to the professional standards established by the International Society of Appraisers, ensuring the highest level of ethical and technical accuracy. The report serves as a crucial tool for insurance purposes, estate planning, charitable contributions, and other activities that require precise and reliable art valuation.

Effective Day of Valuation.

May 8, 2024

Artwork Image Analysis

Introduction to Image Analysis

For this appraisal, we have utilized Google Vision to conduct a comparative image analysis. The process began with the submission of the artwork's primary frontal image—the most telling and comprehensive view—to Google Vision's database. This initial image serves as the cornerstone for the ensuing analysis.

The objective of this image analysis is twofold. Firstly, we aim to uncover artworks that bear a visual resemblance to the piece in question. By identifying similar artworks, we can glean insights into the style, period, and potential influences that may be present in the artwork being appraised.

Secondly, this process aids in assessing the artwork's uniqueness and positioning within the art market. Similarities to known works can signal the artwork's alignment with particular artistic movements or periods, while unique features may highlight its distinctiveness and potential rarity.

Visual Comparisons: Similar Artworks Identified by Google Vision

Artwork Type Determination: AI Insights and Appraiser Expertise

The artwork in question is an original oil painting from the late 19th century, produced by Hendrik Jacobus Scholten, which can be identified as a faithful reproduction of Marcus Stone's painting "In Love". This particular genre of painting, prevalent in the Victorian era, is a fine exemplar of genre art, a category which itself aims to depict scenes from everyday life with a variety of situational contexts: from the mundane to the romantic, the idyllic to the dramatic. The inherent narrative quality seeks to elicit an intimate connection with the observer, often evoking a sentimental or contemplative mood. Scholten's rendition stays true to the original vision of Stone, both in technique and expression, offering a glimpse into the genteel aspects of 19th-century life, with an emphasis on nuanced emotional states, rendered through the subject's posture and setting. Emphasizing on the artwork type, Scholten's work parallels the academic art standards and practices of the period, with particular attention paid to the accurate depiction of light and shadow, the realistic representation of the naturalistic setting, and the precise detailing of the figure's attire and demeanor. The reproduction of Stone's "In Love" is characteristically Victorian, not only in subject matter but also in its execution. With oil as the medium, Scholten was able to achieve a depth and richness of color, as well as a delicate handling of the nuanced interplay of light, which confers upon the scene a sense of tranquility and contemplative isolation. Moreover, the small size of the canvas, 10 by 14.5 inches, is typical of personal or intimate works of the era, as it is suited to close viewing, allowing the spectator to engage deeply with the subtleties of the narrative captured within this quiet and reflective moment.

Estimation of Artwork Age

Methodology for Determining the Age of the Artwork

To ascertain the age of the artwork purporting to be a reproduction of Marcus C. Stone's "In Love," I initiate by closely analyzing the canvas material—its weave, texture, and any signs of aging or wear. A magnifying lens helps illuminate if the canvas matches the type employed in the late 19th century, with attention to its consistency with those used by Hendrik Jacobus Scholten. The layering and consistency of the oil paint, scrutinized under UV light, can betray restoration work or inconsistencies with 1890s' painting methods. Furthermore, I conduct a pigment analysis, as certain pigments were not available or widely used until certain points in history. The painting's style—brushwork, use of light and shadow, compositional elements—should correlate with Scholten's artistic inclinations from the period, and differences could suggest a later reproduction or forgery. Scholten's signature merits a detailed comparison with authenticated examples, seeking out distinctive features in his script or any stylized flourish that evolved over his career. Lastly, I inspect the reverse for any labels, inscriptions, or stamps from art suppliers or galleries that might provide a chronological anchor. Every material aspect, manufacturing clue, and stylistic nuance contributes different pieces of evidence, potentially corroborating the stated 1890s creation, forming a comprehensive picture of the artwork's provenance and age.

Findings: Material Analysis, Stylistic Analysis, and Signature and Labels

age Image
Image Utilized for Ascertainment of Artwork Age

The age of the artwork under consideration, allegedly a reproduction signed by H Scholten, can be justified based on the materials, technique, and historical data corroborated by the signature style. The canvas and wood stretcher bear the hallmarks of late 19th-century craftsmanship, with the stretcher construction exhibiting methods commonly used during that period. The patina and wear of the materials are consistent with the aging processes expected of a canvas from the 1890s. The signature on the artwork, attributed to Hendrik Jacobus Scholten, further supports the artwork's dating. Scholten, whose life spanned from 1824 to 1907, would have been active as an artist at the time this reproduction was created. Given the aforementioned artist's active period and the stylistic analysis of the painting, which aligns with Victorian aesthetics, it is plausible to date the painting to the 1890s. This conforms to the timeframe during which Scholten would have had the opportunity to engage with the original 1888 painting "In Love" by Marcus C. Stone and execute a reproduction.

Upon careful consideration of the provided data and the accompanying visual materials, I am able to proffer a professional estimation that this artwork was created with the intention of embodying the sentimental and romantic aesthetic characteristic of the late 19th century. An Original Painting based in the Painting “In Love” by Marcus C. Stone (1840–1921), the original painting is from 1888. This reproduction is signed H Scholten (Hendrik Jacobus Scholten 1824-1907), oil on canvas 10×14.5 inch. It was made circa 1890s. This painting depicts a young woman in a white gown, seated on a garden bench, deeply engrossed in a book. The tranquil garden setting is enclosed by lush greenery and a stone wall, with blooms adding color. The scene, set under soft late afternoon light, captures a moment of serene, Victorian leisure and contemplation.

Artwork Condition Assessment

Upon thorough examination, the artwork in question—a reproduction of Marcus C. Stone's "In Love," signed by H. Scholten and dating back to the 1890s—presents an outstanding preservation state, which bespeaks the careful stewardship it must have enjoyed over its lifespan. The overall condition of the piece remains exceptionally stable, showcasing no apparent damages or significant wear that would normally accrue over more than a century. The paint layer, upon surface examination, reveals a remarkably intact varnish free of crazing and discoloration, underscoring the artwork's fine maintenance. A painting's varnish is applied as a protective and aesthetic layer; its untarnished state here indicates minimal exposure to environmental fluctuation and pollutants, further substantiated by the absence of yellowing—which is a common indication of aging varnish or excessive light exposure. Additionally, the canvas backing and the paint itself are free of the typical imperfections such as tears or flaking, indicative of the artwork's robust structural integrity. In the realm of art, structural integrity is a testament to an artwork’s resistance to environmental strains and the expertise of initial craft, as well as the preservation efforts since its creation. Colors, vibrantly maintained and showing no evidence of fading, remain rich and true to the artist's original palette—a critical aspect for both aesthetic appreciation and valuation. The retention of chromatic quality is particularly important in assessing a piece like Scholten's reproduction, as it mirrors the delicate hues Stone likely intended to capture the subtleties of Victorian light and shade. This is of paramount importance in evaluating a reproduction, as it speaks to the fidelity of the copy to the original's emotive intent. In terms of frame condition, the carefully preserved moulding complements the artwork without signs of significant degradation, such as wood rot or joint warping, which could compromise the protective role of the frame or detract from the visual presentation. An artwork's frame is fundamental not only for display but also for conservation purposes; it acts as a physical barrier between the art and environmental elements, and its condition can greatly inform us about the care taken over the years. The harmonious unity of the artwork’s excellent state, the maintained visual integrity of its colors, and the protective embrace of an equally well-preserved frame, collectively attest to the exceptional condition of this late 19th-century reproduction, making it a valuable and treasured piece for any collector or enthusiast.

Artist Profile and Artwork History

Signature Analysis

This section provides a comprehensive profile of the artist, including a biographical sketch that highlights pivotal moments and stylistic developments throughout their career. An investigation into the artwork's provenance follows, mapping its lineage of ownership to affirm its authenticity and enhance its estimated value. The history of exhibitions enriches the narrative, documenting the piece's critical reception and standing within the art community. By integrating biographical details, provenance, and exhibition chronicles, we gain a refined perspective of the artwork's place in the artist's body of work and its significance in the art market. Accompanying this analysis is a detailed examination of the artist's signature, as captured in an enclosed image, which is interpreted as follows:

In this phase, I analyze the signature to identify the artist. This involves cross-referencing it with a well-curated database containing information on notable artists, including their names, backgrounds, and key biographical details. This database serves as a crucial tool in establishing the artist’s identity with precision and accuracy.

Hendrik Jacobus Scholten

Title: Appraisal Report for "In Love" Reproduction Signed by H. Scholten Section: Signature Analysis The signature on an artwork serves not only as the artist's mark of creation but is integral for verification, provenance, and the determination of value. A signature can authenticate a piece and tie it directly to its creator, thereby influencing its historical and monetary importance. In the appraisal of the reproduction of "In Love," originally by Marcus C. Stone, the signature "H Scholten" attributed to Hendrik Jacobus Scholten (1824–1907) warrants scrutiny. Scholten, a Dutch artist, is historically recognized for his genre scenes and portraits, and his signature on this piece is pivotal in establishing its origin. As he is a listed artist—a term denoting those whose works have been sold or are listed through recognized art platforms or indices—his documented works contribute to the provenance of the piece. The presence of his signature can potentially elevate both its collectibility and monetary value if authenticated. This mark must be compared in detail to known signatures from Scholten's body of work to establish its legitimacy. The outcomes of this analysis are manifold. A verified signature can authenticate the artwork as a genuine replication by Scholten, thereby associating it with the artist's oeuvre and historic period. Conversely, a misattributed or forged signature can significantly detract from the artwork's value and historical relevance. If the signature is inconclusive or proves inconsistent with Scholten's documented style, the artwork may be categorized as "after" the artist. This signifies that the piece is in the style of the artist but not necessarily by his hand. Alternatively, if the signature does not correspond to any known works, it might suggest the possibility of an undiscovered or lesser-known aspect of Scholten's work, an outcome that could prompt further research. For this appraisal, a thorough examination of the signature will be undertaken, including stylistic analysis, comparison with authenticated samples, and, if necessary, advanced forensic inspection. The goal is to establish the probability of authorship and in doing so, anchor the artwork's historical significance and market value.

Artwork Analysis: Style, Theme, and Artistic Context

Analyzing the style of the aforementioned reproduction by H. Scholten after Marcus C. Stone's original work "In Love", it can be discerned that the painting is deeply rooted in Victorian aesthetic principles. This period is often characterized by a keen attention to detail, a penchant for romanticized scenes, and a certain primness or formality. The brushwork in Scholten's piece likely emulates Stone's precise technique, which subtly conveys texture and form without compromising the genteel smoothness appropriate to the era's artistic sensibilities. The delicate interplay of light and shade, a hallmark of the period, works to create a soft atmosphere that is both tranquil and evocative. The composition's focus on a solitary figure—a common motif in Victorian art—emphasizes themes of introspection and the inner emotional world, further underscored by the lush and meticulously rendered surroundings that both envelope and highlight the central subject. Thematically, this painting engages with the prevalent Victorian theme of the idyllic garden as a space of private reflection and repose. Embracing the cultural notions of femininity and refined leisure, the young woman's portrayal in a white gown becomes an emblem of purity and genteel sophistication. This sartorial choice complements the verdant setting, where the garden acts not just as a backdrop but as an intimate sanctuary offering escape from the structured world beyond the stone wall. The careful selection of a late afternoon setting, a time of day often associated with reflection and the transition from day to night, adds a temporal nuance to the piece. This enhances the viewer's understanding of the artistic context—it's a visual narrative that quietly celebrates the virtues of contemplation and leisure that were so prized during this time in history. The soft glow of light suggests a harmony between the figure and nature, inviting viewers to consider the painting as a tranquil meditation on the restorative power of solitude and the natural world.

Authorship type

The artwork in question is an original hand-painted piece that stands as a reproduction of the painting "In Love" by Marcus C. Stone, a notable English painter and illustrator whose works were prominent during the Victorian era. The reproduction is attributed to Hendrik Jacobus Scholten, a Dutch artist contemporaneous with Stone. Being a reproduction, this piece adopts the thematic essence and compositional attributes of Stone's work; however, it simultaneously reflects Scholten's interpretation and technical nuances. Scholten's signature, "H Scholten," present on the canvas, indicates direct authorship, with the artwork assumed to be produced relatively close in time to the original, around the 1890s, which situates it within the active period of Scholten's artistic career. The dimensions of the oil on canvas—10×14.5 inches—further corroborate the singularity of this reproduction as a tangible, handcrafted artifact rather than a mechanical print. The reproduction's authenticity and categorization as an original painting by Hendrik Jacobus Scholten are also supported by the style and technique visible in the brushwork, indicative of the artist's personal touch. While the scene compositionally echoes Stone's "In Love," the reproduction likely exhibits Scholten's distinct stylistic markers, such as his palette choices, texture application, and subtleties in the portrayal of light and shadow. These characteristics would be instrumental in distinguishing Scholten's hand from that of Marcus Stone. The practice of artists reproducing or paying homage to the work of others was not uncommon during this period, and Scholten's version would have been considered a legitimate and respectful iteration, displaying his skills while honoring the narrative and aesthetic sensibilities of the original piece by Stone.

Valuation Methodology: Assessing the Artwork’s Worth

In employing the mark to market valuation method for the appraisal of this specific artwork, several key factors were meticulously considered. Authorship plays a prominent role in determining the value of the artwork. The fact that it is a reproduction of Marcus C. Stone's "In Love," created by Hendrik Jacobus Scholten, has a nuanced impact on its valuation. The original work by Stone, a Victorian-era painter known for sentimental subjects, is of high significance, enhancing the interest in Scholten's reproduction due to the original's acclaim. Scholten, being an esteemed artist in his own right, adds value to the piece but it is not equivalent to owning Stone's original. This intricate relationship between the original work and its interpretation by another artist directly influences the market value of the reproduction. Likewise, the type of artwork—specifically, a reproduction in the medium of oil on canvas—has been evaluated. While original pieces generally command higher prices, quality reproductions by recognized artists can also be desirable, especially to collectors interested in a particular era or style who may not have access to the original. The physical characteristics of the painting, such as its size of 10×14.5 inches, also play a substantial role in the valuation process. Typically, larger canvases may fetch higher prices due to their visual impact and the higher volume of work involved in their creation. However, this is not absolute, as the detail and intricacy possible in smaller works can be highly valued. Age is another critical component, with the painting's creation in the 1890s providing historical context that can add to its allure and perceived value, tapping into the nostalgia for the Victorian era and lending it an authenticity that modern reproductions lack. The charming depiction of the young woman in a white gown and serene garden setting, reflective of the leisurely Victorian lifestyle, enhances the piece's desirability. Taken together, these elements—authorship, type, size, and age—interplay to establish a market value that reflects both the tangible and intangible aspects that appeal to potential collectors and art enthusiasts.

The current market value of the artwork is determined primarily by recent sales and auction results in the art market. These transactions provide a clear indicator of the artwork's value, reflecting its potential future worth.

In assessing this value, I have analyzed auction results from the past six months. This approach offers insights into the artwork's value trends, allowing for an accurate appraisal that adjusts to market changes and remains up-to-date.

Conclusion

Investing in art carries a distinct set of merits that can validate it as a wise financial venture. When an individual acquires a piece of artwork, they are not merely purchasing an object; they are obtaining a share in cultural heritage that has the potential for significant appreciation over time. Art can serve as a hedge against inflation and a means to diversify an investment portfolio away from traditional financial instruments, such as stocks or bonds. The unique nature of art means that its value does not necessarily correlate with the ups and downs of standard markets, providing a buffer during times of economic uncertainty. Moreover, the personal enjoyment and aesthetic value derived from owning a masterpiece cannot be understated, as it offers an intangible return on investment that enriches one's living environment and quality of life. The cultural resonance of a significant work adds to its cache and potential to become a sought-after piece, thus driving up its future market value for discerning collectors. In sum, the interplay between the enjoyable and utilitarian aspects of art makes it a particularly attractive investment opportunity for those looking to combine passion with prudence.

As I draw my analysis to a close, it becomes evident that the intrinsic value of the artwork in question extends significantly beyond the aesthetic. This reproduction of Marcus C. Stone's piece, "In Love," inscribed by Hendrik Jacobus Scholten, carries the indelible mark of historical reverence and intimacy with the past. The artist Scholten, himself an accomplished painter, invokes a connectivity to the Victorian era in the late 19th century through not just the subject, but through his renowned craftsmanship that resonates with collectors and enthusiasts of the period. Historical import is imbued within the canvas, capturing a moment of quintessential Victorian repose and the prevailing romantic sensibilities of the time. The sheer rarity—the fact that it is a reproduction by another notable artist from the era, and not merely a copy, but a re-interpretation—profoundly enhances its significance. Despite the myriad existing artworks from that century, this piece basks in a singular plaudit due to the confluence of the period's aesthetics, its embodying of the cultural zeitgeist, and its tangible connection to two recognized artists. Stemming from this layered lineage, it holds a prospect for value appreciation that is as much about emotion and historical resonance as it is about the continued veneration of the artistic lexicon of its time. Thus, through a synthesis of the artist's renown, the work's historical gravitas, its scarcity, and its potential for cultural and economic value accretion, this piece stands as a testament to the enduring allure of fine art.

Final Appraisal Value ($)

15000 US$

Appraisal Report Conducted by:

Andrés Gómez
BSc, MSc, Accredited Art Appraiser
Over a Decade of Expertise in Online Art Appraisals
Served Over 100,000 Clients
Proprietor of Renowned Antique Establishment

Explore my extensive portfolio of past appraisals here:

https://www.appraisily.com/andres-portofolio/

This appraisal in a nutshell

- Artists_Name: H Scholten - Artists_Date_of_Birth_and_Death: 1824–1907 - Title_of_Artwork: Based on "In Love" - Period_Age: Circa 1890s - Color_Palette: Greens, whites, earth tones - Art_Style_Period: Victorian - Medium: Oil on canvas - Dimensions: 10×14.5 inches - Is_it_Framed?: Yes - Edition_Information: Reproduction - Printer_Publisher: Not provided - Composition_Description: Woman in gown, garden bench, reading - Condition: Not explicitly stated, appears well-preserved - Is_it_signed?: Yes (by H Scholten) - Provenance_Information: Not provided - Registration_Number: Not provided - Additional_Notes: Reproduction of Marcus C. Stone's work - COA?: Not specified - Possible_Meaning_of_the_composition: Serenity, Victorian leisure, contemplation (Note: Some information such as Registration Number, Provenance Information, Condition, and COA (Certificate of Authenticity) has not been provided and cannot be deduced from the image or description provided.)

Client-Provided Imagery for Appraisal Analysis

main Image signature Image age Image

Appraisal Process and Appraiser Qualification Summary

The mark-to-market art appraisal is a critical methodology for determining an artwork's current market value. This approach requires the appraiser to consider various factors, including market trends, the artwork’s condition and age, and the artist's reputation in the art community. By integrating these aspects, a mark-to-market appraisal provides an accurate estimate of the artwork's value.

A key factor in this process is the artist's reputation, assessed through their exhibition history, awards, and other notable achievements. This information helps predict the potential value trajectory of the artwork. Additionally, a thorough assessment of the artwork’s condition is essential, as any wear or damage can affect its resale value.

Mark-to-market appraisals involve analyzing current art market trends and recent sales of similar artworks, providing a contemporary valuation. This holistic approach ensures fair pricing in art transactions by reflecting the current market environment.

For insurance replacement appraisals, the mark-to-market method accurately estimates replacement costs for lost or damaged artworks, guiding insurance reimbursements. This ensures fair compensation for policyholders and prevents overpayment in insurance claims.

The appraisal process is an exhaustive analysis, considering the artwork's condition, rarity, demand, and market prices. The provision of detailed photographs and descriptions supports the appraiser in identifying any issues that could impact the valuation. This information enables a swift, efficient, and precise appraisal process.

A statement of the appraiser’s liability and any potential conflicts of interest.

Our art appraisals are conducted by professionals with specialized knowledge and experience in art valuation. They meet strict educational and professional standards, ensuring expertise in art research, evaluation, and market trends. Our appraisals aim to provide an objective value estimate of art for insurance, tax, estate planning, or sales purposes.

We prioritize fairness and impartiality in our appraisals. We charge a flat fee, not a percentage of the artwork’s value, to avoid any conflict of interest. Our reports adhere to the Uniform Standards of Professional Appraisal Practice (USPAP) set by the Appraisal Foundation. This ensures that our appraisals are ethical, of high quality, and legally defendable.

How to sell this artwork.

To assist you in selling your artwork, we provide a comprehensive guide available here. This guide offers structured steps and best practices for successfully navigating the art market.

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Glossary of terms

Sure, here is the glossary of terms section designed for an appraisal report, including explanations tailored to the specific painting: ```html Glossary of Terms Original Painting: A unique piece of artwork created by the artist, as opposed to a print or reproduction. In the context of this appraisal, the term refers to the 1888 painting "In Love" by Marcus C. Stone. Reproduction: A copy of an original artwork. The painting being appraised is a reproduction of Stone's "In Love," created by H Scholten. Signed: Bearing the signature of the artist. The reproduction in question is signed "H Scholten," confirming its creation by Hendrik Jacobus Scholten. Hendrik Jacobus Scholten (1824–1907): A Dutch painter known for his historical and genre scenes, as well as his reproductions of other artist's work. Scholten signed the reproduction being discussed, which dates him as the creator. Oil on Canvas: A painting medium where oil paint is used on a canvas fabric stretched over a frame. The appraised painting is an oil on canvas, which is a traditional and highly regarded technique. Dimensions: The size of the artwork. The reproduction by H Scholten measures 10 by 14.5 inches. Circa 1890s: An approximate dating of the artwork, indicating it was created around the 1890s. Victorian Leisure: Refers to the period of Queen Victoria's reign (1837–1901), characterized by specific social, cultural, and artistic conventions. The scene depicted in the painting reflects the leisure activities and contemplative moments valued during this time. Serene: Calm, peaceful, and untroubled; a mood often conveyed through artistic expression and evident in the tranquil setting of the painting. Contemplation: Deep reflection or thoughtful observation, which is implied by the subject of the painting—a young woman engrossed in a book. Tranquil Garden Setting: A subdued and peaceful outdoor scene usually found in domestic surroundings or public spaces designed for relaxation. Lush Greenery: Rich, abundant plant life that conveys a sense of vibrancy and fertility in the painting's garden. Stone Wall: A wall made of stone, often used in garden landscaping, which provides a backdrop to the scene and adds to the painting's composition. Blooms: Flowers in the garden that add splashes of color and contribute to the overall aesthetic of the artwork. Late Afternoon Light: The soft, warm lighting associated with the time of day before evening sets in, which has distinctive qualities artists often capture in painting. ``` This formulation provides both technical terms and descriptions that would help the client understand the specific qualities and characteristics of the painting they possess.