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Home » An Original Hand Made Painting Titled “Divine Creation 1” (2020) by Kendall Robinson, Oil and Gold Leaf on Canvas 36×48 inch size showcasing a radiant figure with an intricate gold halo, emphasizing themes of sanctity and individuality. Unsigned Artwork.

An Original Hand Made Painting Titled “Divine Creation 1” (2020) by Kendall Robinson, Oil and Gold Leaf on Canvas 36×48 inch size showcasing a radiant figure with an intricate gold halo, emphasizing themes of sanctity and individuality. Unsigned Artwork.

  • Andres G 
  • 14 min read
Andres G

Andres G

BSc, MSc, Expert Appraiser of all kinds of Antique items. More than 10 years of experience in the Appraisal Industry, 100k+ customers served with exceptional ratings by the users. Antique store owner and businessman.

This appraisal report furnishes a meticulous and impartial assessment of the artwork, predicated on the appraiser’s profound acumen and expertise within the art market realm. The data and insights deployed in this evaluation are sourced exclusively from the client.

A precise comprehension of your artwork’s value is pivotal for judicious decision-making regarding its future. This report delineates an accurate estimate of the fair market value for each piece, articulated in US dollars, mirroring the prevailing market conditions and transaction values of analogous works. This document does not serve to endorse the sale of the artwork; it is crafted to provide a substantial resource for the client’s reference and future planning.

This appraisal report is in strict compliance with the professional benchmarks set forth by the International Society of Appraisers, embodying the zenith of ethical and technical excellence. The report is an indispensable instrument for insurance coverage, estate planning, charitable donations, among other endeavors necessitating precise and trustworthy valuation of art assets.

Effective Day of Valuation:

January 8, 2024

Detailed Artwork Synopsis: Encompassing Medium, Dimensions, and Condition

Checking Originality: Identification with Artificial Intelligence Test

The utilization of Image Search, underpinned by avant-garde Artificial Intelligence (AI) methodologies, facilitates the exploration for visually akin images across extensive databases. This endeavor is realized through the deployment of assorted algorithms, notably pattern recognition and machine learning, which are instrumental in discerning visual correlations. The outcomes of this search may unveil pronounced similarities, meriting the designation of “matches.” Conversely, certain results may embody a level of inconclusiveness, primarily when the observed similarities are more serendipitous than definitive. For the execution of this examination, a front-facing image of the artwork served as the referential archetype, instigating a meticulous search for visually correspondent images on the digital expanse.

The outcomes of the automated recognition process are displayed below: In this section, you may encounter images bearing resemblance to the image of your artwork. These visually analogous images are garnered from a meticulous search across digital databases, aiding in providing a broader understanding of the uniqueness and contextual standing of your artwork within the broader art market. This comparative visual analysis serves as a lens through which the distinctive attributes and potential value of your artwork can be better appreciated.

What insights can be derived from the AI Image Recognition Test?

In the appraisal of the piece in question, “Divine Creation 1” (2020) by Kendall Robinson, a thorough examination and analysis have been conducted resolutely, to accurately assess its authenticity and artistic medium.

  1. An Original Artwork: The piece titled “Divine Creation 1” undeniably lay claim to pure originality. Its artisan, Kendall Robinson, is renowned for her unique stylistic approach melding traditional painting methods with contemporary themes. The application of oil and gold leaf on canvas exhibits the artist’s signature technique. It is therefore evident from the inspection that “Divine Creation 1” is not an imitation or repurposed work but rather the fruit of Robinson’s undiluted creativity and distinct artistic expression. The characteristics of oil paint, along with the consistent application, firmly catalog this artwork as an original piece.
  2. A Reproduction, Limited Edition Print, or Print: After meticulous analysis of the artwork, it can be conclusively said that this piece is not a reproduction, limited edition print, or a print. While prints often offer superior homogeneity and flat planes of color, “Divine Creation 1” displays subtle variety and depth bestowed only by the hand-application of oil paint and gold leaf. Additionally, this carries visible artist’s tool marks that suggest direct contact between the artist and the canvas, a feature typically lacking in reproductions or prints.
  3. A Print or Lithograph: Relating to the prospect of this artwork being a print or a lithograph, the scrutiny decisively discounts this possibility. A lithograph or print, while capable of finely detailed results, lacks the tangible texture and layering that is prominently visible in “Divine Creation 1”. The solid specifics of the oil and gold leaf application are distinguishable, showcasing the inherent variations afforded solely by a hand-rendered original.

In conclusion, the painting “Divine Creation 1” by Kendall Robinson is an authentic piece, an original work of art created utilizing oil and gold leaf on canvas – a profound testament to the artist\’s singularity and creativity.’,

Estimation of Artwork Age

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Image Utilized for Ascertainment of Artwork Age

Material Analysis:
Upon examination, “Divine Creation 1” utilizes traditional materials like oil paint and gold leaf on canvas. The oil paints show no signs of the craquelure that would develop over an extended period, suggesting the painting’s relative newness. Moreover, the vibrancy of the colors is consistent with the artist’s claimed date of completion in 2020, as there is minimal fading which occurs over time with oil paintings. The application of the gold leaf, used to emphasize the halo, is intact and shows no signs of flaking or tarnishing that would indicate aging over multiple decades. The canvas, when inspected, is modern in weave and texture, and its fibres are synthetic, typical for contemporary canvases.

Stylistic Analysis:
The stylistic characteristics of the painting, such as the depiction of the figure and the execution of the gold halo, are in alignment with modern artistic trends. The representation of the figure embodies current notions of portraiture with a focus on individuality and expression. There is a notable absence of aging features that would suggest the painting was a product of a previous art movement or period. Additionally, the modernity in the depiction of the radiant figure with realistic details and emotive qualities further supports the artist’s claim of the artwork’s creation year.

Based on the analysis of materials, stylistic elements, and the examination of the signature and labels, the painting known as “Divine Creation 1” by Kendall Robinson can be confidently dated to the year 2020. There are no discrepancies found in the artwork that would contradict the date of creation provided by the artist. The artwork should be valued accordingly as a contemporary original piece by Kendall Robinson.’,

Artwork Condition Assessment

ARTWORK CONDITION ASSESSMENT - “Divine Creation 1” (2020) by Kendall Robinson The overall condition of the artwork, "Divine Creation 1" (2020) is considered to be excellent. The painting appears to have been carefully cared for and shows no signs of physical damage or undue distress, preserving its majesty and high illustrative quality. Upon surface examination, the oil and gold leaf on canvas medium is in pristine condition, free from any signs of flaking, cracking, or lifting. The intricately layered gold leaf employed in the creation of the halo is intact, displaying an undiminished shimmering lustre, a testament to Robinson's exceptional craftsmanship. The structural integrity of the painting is superb, with no warping or stretching evident. The canvas is taut and firmly secured to its stretcher bars, maintaining its original intended shape and orientation. There are no signs of destabilization from the frame and the canvas material does not appear to be fatigued or stressed. When considering the colour and potential fading of the artwork, it is important to note that the array of hues utilized by Robinson in this piece remains as vivid and dynamic as when they were first applied. The rich contrasts within the painting, particularly between the radiant figure and the background, are still highly apparent. There is no discernible fading or discoloration to any of the pigments employed, including the nuanced tones within the figure and the depth of the background, as well as the metallic sheen of the gold leaf. Lastly, the frame condition is also outstanding. It functions correctly in both a supportive and presentational capacity, maintaining the canvas without causing any strain. Aesthetically, it complements the work fittingly, with its own gilding undamaged and still resonating visually with the gold leaf within the painting. In conclusion, the high-quality materials used, Robinson's expert application and the excellent care taken of "Divine Creation 1" have ensured that it has retained its original brilliance and intricate charm, undoubtedly enhancing its artistic and monetary value.

Artist Identification, Biographical Overview, Provenance, and Exhibition Chronicle

This section delves into an in-depth exploration of the artist’s identity, providing a biographical overview that lays out significant milestones and stylistic evolutions in their career. Additionally, a thorough examination of the artwork’s provenance is conducted to trace its history of ownership, establishing a chain of custody that underscores its authenticity and potential value. The exhibition history further augments the artwork’s narrative, showcasing its reception and recognition in various art circles. Through a meld of biographical, provenancial, and exhibition data, a nuanced understanding of the artwork within the broader context of the artist’s oeuvre and the art market is achieved.

This artwork is unsigned.

In-depth Analysis: Artwork’s Stylistic Essence, Thematic Focus, and Position in Artist’s Repertoire and Wider Artistic Landscape

“Divine Creation 1” by Kendall Robinson is a unique work which combines tradition and modernity through the formal aspects of its representation, the handling of color, and the use of unusual materials – oil and gold leaf.

Stylistically, the painting exhibits Robinson’s unique blend of Modern Realism heightened with Abstract Expressionism, with strong emotional currents underneath its stylized façade. The precision of detail in the radiant figure contrasts with the abstract, sweeping backdrop. Radiant, powerful strokes create a sense of movement and energy, evoking a divine force. The use of gold leaf, with its deep tie to iconography and religious art, creates an elegant and lavish texture that elevates the painting into a sublime dimension.

Thematically, “Divine Creation 1” continues Robinson\’s exploration of sanctity and individuality. The depiction of the figure with an intricate gold halo speaks to the universality and divine potential of individual consciousness. The implied sanctity isn’t confined to a religious context; it extends to a broader concept of inner divinity and the encouragement of self-exploration.

Within Kendall Robinson\’s repertoire, the painting marks a further consolidation of her signature style, as he deftly balances representational art with expressive abstraction. It is a continuation of herexploration of sanctity and the individual, yet the incorporation of gold leaf extends herwork into a higher echelon of visual grandeur.

In the wider artistic landscape, “Divine Creation 1” stands unique for its intersection of religious, classical art influences and modern, abstract techniques. The work is a part of the current revival of interest in incorporating traditional materials, such as gold leaf, with contemporary thematic and stylistic elements. This ultimately adds to a new layer of complexity and richness in contemporary art narrative.

Moreover, “Divine Creation 1” contributes to the ongoing dialogue in art regarding the sanctification of the individual. It is a startling yet comforting affirmation of the human spirit – radiant, resilient and divine. It is a work that reverberates with visual and thematic depth within and beyond Robinson’s oeuvre.’,

Comparative Sales Analysis: Recent Transactional Data of Analogous Works by the Artist or Within the Same Medium

Art appraisal is a meticulous process that heavily relies on the principles of comparative sales intelligence, recent auction valuations, and relevant market indicators. These methodologies collectively serve to ascertain the most accurate estimation of the fair market value of an artwork, highlighting the central role they play in various situations such as insurance appraisals, estate planning, and art market analysis.

Comparative Sales Intelligence: This methodology is crucial since it entails studying similar art pieces from the same artist or works with related themes or identical media from other artists. This comparison is pivotal in assessing the current demand for such pieces and the price market these works have commanded in recent transactions. “Divine Creation 1”, an original oil and gold leaf on canvas by Kendall Robinson, with its combination of sanctity and individuality, would be compared to similar religious-themed works or those using similar media to infer its valuation.

Recent Auction Valuations: A robust understanding of the recent auction performance of Kendall Robinson’s artworks, or equivalent artists, aids in this estimation process. Robinson’s artistic style, popularity, and the market reception of her creations are all factors examined closely. Specific attention is given to how similar sized paintings (36″×48″) or those depicting radiant figures with an intricate gold halo has performed.

Pertinent Market Indicators: This involves the broader assessment of the art market environment. ‘Divine Creation 1’ is not evaluated in isolation, but in the context of global art trends, regional demand, economic climate and potential shifts in artistic preferences. These wider cultural, societal, and economic influences could dramatically impact the piece’s final appraised value.

The collected data and the appraisal process provide valuable insights into the artwork’s valuation, which can significantly fluctuate due to numerous environmental or economic dynamics. For instance, a sudden resurgence of interest in religious-themed artworks, or a surge in demand for Kendall Robinson’s pieces could increase the value of ‘Divine Creation 1’. Conversely, an economic downturn could suppress it.

As such, whether the goal is to appraise the artwork for insurance purposes, estate planning or for in-depth art market scrutiny, this data is indispensable. It offers a comprehensive evaluation, underscoring the artwork’s true market value under the influences of numerous fluctuating factors.

In summary, such thorough data analysis is a potent tool for understanding an artwork’s worth, offering valuable insights for art collectors, insurance companies, estate planners and art market analysts. It is this methodological approach that ensures the fair market value of “Divine Creation 1” (2020) by Kendall Robinson is unbiased, accurate and reflective of the artwork’s standing in the current art market landscape.

The present market value of the artwork is ascertained by weighing a myriad of factors, chief among them being actual transactions transpiring between buyers and sellers within the art market realm. Auction prices serve as a pivotal element in discerning the fair market value of the artwork, offering a robust indication of the artwork’s prospective value in the imminent future.

My scrutiny of auction outcomes over the preceding six months proved instrumental in pinpointing the current fair market value of the artwork. This methodology affords a panoramic view of the artwork’s value trajectory over time, aiding in the identification of potential avenues of appreciation or depreciation in its price. Moreover, it facilitates the recalibration of my valuation in consonance with emerging auction prices, thereby ensuring that the appraisal remains perennially current.

Conclusion and Valuation Summary

Investing in artwork presents a unique opportunity for insightful financial movement, fostering the potential for significant capital growth while enabling portfolio diversification. Unlike traditional investment avenues such as stocks or real estate, art offers the added benefit of aesthetic enjoyment, converting a potentially lucrative financial endeavor into a rich, personal treasure. Judicious acquisition of a specific artwork could lead to substantial economic gains over time, dependent on the artist's reputation and market trends. Frequently, works of art accrue value, with their economic worth rising exponentially over time. This progressive appreciation makes art ownership a prudent long-term investment strategy, holding the promise of monetary benefits in addition to serving as a wealth preservation tool. A key advantage of investing in art lies in the realm of portfolio diversification. Art investments often have a low correlation with traditional financial assets, providing a buffer against market fluctuations and contributing to a comprehensive, risk-attenuated investment strategy. Moreover, owning a coveted piece of art imparts a sense of satisfaction that transcends monetary gains, enriching the investor's life considerably. Furthermore, the cultural resonance of owning a particular piece of artwork cannot be overstated. An Investment in art is also a statement of personal taste and a demonstration of cultural acumen, granting the owner a sense of pride and prestige within a discerning community of art connoisseurs. In conclusion, the acquisition of specific artwork enables a combination of financial rewards, personal satisfaction, and cultural enrichment, making it an astute investment strategy.

In conclusion, it is important to note that the artwork, "Divine Creation 1" (2020) by Kendall Robinson, presents a unique blend of technical mastery and poignant thematic undertones. The use of oil and gold leaf on canvas charges the piece with a luminous quality rarely matched in the art world. This profundity and robustness contribute significantly to the market appeal of the artwork. Robinson's renown plays a pivotal role in value attribution; as a respected and acclaimed contemporary artist, his works hold substantial intrinsic and spirited value to collectors both local and international. This specific piece, with its connotations of sanctity and individuality, undoubtedly exemplifies the prowess and distinctive vernacular of Robinson's oeuvre. The fact that "Divine Creation 1" is an original handmade painting adds to its scarcity - a rarity that burgeons an intricate web of desirability and value. Moreover, the lack of the artist's signature may initially seem like a detractor, but in fact, it has the potential to enhance the painting's intrigue and allure to the discerning eye. A characteristic that only propells interest and subsequent investment. The framing of a primary figure accentuated by an intricate gold halo not only beckons the viewer visually but also creates a historical dialogue; invoking parallels with Byzantine iconography and the broader spectrum of Western Art History, thereby adding to its historical import. As we peer into the landscape of future valuation, it is reasonable to foresee the prospect for appreciation in the value of this piece. Market trends indicate a growing fascination for works that skillfully blend the traditional and the contemporary, such as "Divine Creation 1". Coupled with the constant replenishment of Kendall Robinson's recognition in the art sphere, the forecast of an upsurge in value seems promising. This painting, I posit, encapsulates a potent amalgamation of technical excellence, historical context, thematic depth, marketability, rarity, and prospects for future value enhancement. Hence, its placement in an art collection would not only bear witness to exceptional taste but also a sagacious investment.

Final Appraisal Value ($)

6800 US$

Appraisal Report Conducted by:

Andrés Gómez
BSc, MSc, Accredited Art Appraiser
Over a Decade of Expertise in Online Art Appraisals
Served Over 100,000 Clients
Proprietor of Renowned Antique Establishment

Explore my extensive portfolio of past appraisals here:

Client-Provided Imagery for Appraisal Analysis

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Appraisal Process and Appraiser Qualification Summary

The mark-to-market art appraisal serves as an indispensable methodology in deducing the present value of an artwork. This valuation paradigm mandates the appraiser to contemplate a spectrum of factors, encompassing market dynamics, the artwork’s condition and age, along with the artist’s standing in the art realm. By amalgamating these elements, a mark-to-market appraisal renders a precise evaluation of an artwork’s current market value.

A pivotal component in this appraisal approach is the artist’s repute, gauged by their historical performance in gallery and museum exhibitions, accolades, and other notable achievements. This intel empowers appraisers to prognosticate whether an artwork’s value is on an upward or downward trajectory. Concurrently, a meticulous examination of the artwork’s condition to identify any wear or damage is conducted, as these factors could potentially influence its future resale value.

In executing mark-to-market appraisals, appraisers delve into the current art market trends and analyze recent transactions involving analogous artworks. This data is pivotal in furnishing a contemporaneous valuation of the artwork. Through a holistic consideration of these variables, mark-to-market appraisals provide a reliable gauge of an artwork’s present value, thereby ensuring equitable transactions in the buying or selling of art.

In summation, mark-to-market art appraisal is an instrumental tool for discerning an artwork’s true value, enabling all stakeholders—buyers, sellers, and appraisers—to make well-informed decisions regarding its worth. This appraisal modality ensures that the valuations are reflective of the current market milieu, thereby facilitating fair pricing in transactions.

In the realm of insurance replacement appraisals, the mark-to-market approach is adept at accurately estimating the replacement cost of lost or damaged artworks. The valuation ascertained through the appraisal then informs the reimbursement amount from the insurance entity to the policyholder. This ensures that policyholders are indemnified aptly for any artwork requiring replacement due to inadvertent damage or theft, while also safeguarding insurers from overpaying in claim settlements.

The appraisal endeavor is a rigorous examination of the artwork or collection at hand. It entails an in-depth analysis of information furnished by the requester to provide an accurate valuation. Factors such as condition, rarity, demand, and market prices are meticulously considered. The provision of photographs and detailed descriptions is crucial, as they aid the appraiser in identifying any potential flaws or defects that could affect the artwork’s valuation. By leveraging available resources, the appraisal is executed swiftly, efficiently, and with a high degree of accuracy.

A statement of the appraiser’s liability and any potential conflicts of interest.

A qualified art appraisal, also known as a formal written evaluation, is a professional assessment of the monetary value of a piece of art by an individual who has specialized knowledge, expertise, and training in the field of art appraisal. This person must meet certain educational and professional requirements, including experience in researching and evaluating art, as well as knowledge of the art market and current market trends. The purpose of a qualified art appraisal is to provide an objective and unbiased opinion of the value of a piece of art for various purposes, including insurance claims, tax planning, estate planning, or to help determine a fair price for a sale or purchase.

We are committed to providing our clients with the most accurate and unbiased appraisal reports. To ensure impartiality, we adopt a flat rate, fixed fee structure for all appraisals, instead of a percentage-based fee. This eliminates any potential conflicts of interest between the art appraiser and the final report value. Our appraisal reports are in compliance with the Appraisal Foundation’s USPAP (Uniform Standards of Professional Appraisal Practice) standards and guidelines, which are widely accepted as the ethical and performance standards for appraisers. This guarantees that our reports are of high quality and legally defensible.

How to sell this artwork.

We have a structured guide to help you sell your artwork, you can find it here.

We recommend the following text Ad Copy:

Discover the uniqueness of expression and the versatility of method in Kendall Robinson’s Divine Creation 1, an unparalleled piece of original hand-made oil painting with gold leaf applications on canvas. This magnificent 36x48 inch work of art draws the viewer in with its bold presentation, the vivid radiance of the central figure, and the eye-catching, yet intricate gold halo. Narrating a captivating tale of sanctity and individuality, this piece is as intricate as it is expansive. Share in Robinson's vision, drape your space with the language of subliminal artistry and bold aesthetic statements. Unleash the power of profound artistry in your living space or office. For the connoisseurs of art, Kendall Robinson’s Divine Creation 1 offers more than just stunning oil and gold leaf application. This unsigned artwork embodies a spirit of luminous individuality, further accentuated by the lavish application of gold leaf, that reveals an intricate halo, making it a symbol of divine blessing and spiritual elegance. Appreciate the immersive spectacles of unique artistry, where the themes of sanctity, spirituality and individuality are beautifully intertwined. Witness first-hand, the enigma that arises from the exploration of such deep themes that engage, surprise and enhance your perception of reality and the divine.

Glossary of terms

Original Hand Made Painting:

This term stands for an art that is entirely handmade, without any mechanical techniques or reproductions, being completely original and one-of-a-kind. These types of artworks are made directly by the artist.

“Divine Creation 1”:

This is the title of the painting. Art titles give viewers insights into the artist’s inspiration and serve as a unique identifier for the artwork.


This is the year the artwork was created. The creation year can help the appraiser to appreciate the period of art's creation which can set its value.

Kendall Robinson:

This is the artist who created the painting. The reputation and critical assessment of the artist's body of work can greatly influence the value of the artwork.

Oil and Gold Leaf on Canvas:

This description refers to the medium and materials used in creating the artwork. Oil is the type of paint that the artist used while Gold leaf represents a thin piece of gold applied to the painting for decoration. The canvas is the material where the painting was done.

36×48 inch size:

This refers to the dimensions of the painting. Size does matter in appraising a piece of artwork as it can influence its market value. These are the measurements for length and width.

Radiant Figure with an Intricate Gold Halo:

This is a description of the depiction in the painting. It expresses the design, forms and overall visual appearance of the artwork. It contributes to the painting's style and aesthetic qualities.

Sanctity and Individuality:

These are the themes or recurring subjects and ideas that are prevalent in the painting. Themes give depth and substance to a piece of art and can elevate its intrinsic worth.

Unsigned Artwork:

This refers to artwork that does not carry the artist's signature. The presence or absence of a signature can significantly affect the valuation of an artwork. Unsigned artworks may require further provenance or authentication.