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Home » An Original Black and White Lithograph Titled “The Venetian School of Painting” Year: 1912 (1910s) Authors: Phillipps, Evelyn March, d. 1915 captures a lively historical scene with richly dressed figures, suggesting a grandiose narrative from a bygone era, set within an elegant frame.

An Original Black and White Lithograph Titled “The Venetian School of Painting” Year: 1912 (1910s) Authors: Phillipps, Evelyn March, d. 1915 captures a lively historical scene with richly dressed figures, suggesting a grandiose narrative from a bygone era, set within an elegant frame.

  • Andres G 
  • 8 min read
Andres G

Andres G

BSc, MSc, Expert Appraiser of all kinds of Antique items. More than 10 years of experience in the Appraisal Industry, 100k+ customers served with exceptional ratings by the users. Antique store owner and businessman.

This appraisal report furnishes a meticulous and impartial assessment of the artwork, predicated on the appraiser’s profound acumen and expertise within the art market realm. The data and insights deployed in this evaluation are sourced exclusively from the client.

A precise comprehension of your artwork’s value is pivotal for judicious decision-making regarding its future. This report delineates an accurate estimate of the fair market value for each piece, articulated in US dollars, mirroring the prevailing market conditions and transaction values of analogous works. This document does not serve to endorse the sale of the artwork; it is crafted to provide a substantial resource for the client’s reference and future planning.

This appraisal report is in strict compliance with the professional benchmarks set forth by the International Society of Appraisers, embodying the zenith of ethical and technical excellence. The report is an indispensable instrument for insurance coverage, estate planning, charitable donations, among other endeavors necessitating precise and trustworthy valuation of art assets.

Effective Day of Valuation:

January 13, 2024

Detailed Artwork Synopsis: Encompassing Medium, Dimensions, and Condition

Checking Originality: Identification with Artificial Intelligence Test

The utilization of Image Search, underpinned by avant-garde Artificial Intelligence (AI) methodologies, facilitates the exploration for visually akin images across extensive databases. This endeavor is realized through the deployment of assorted algorithms, notably pattern recognition and machine learning, which are instrumental in discerning visual correlations. The outcomes of this search may unveil pronounced similarities, meriting the designation of “matches.” Conversely, certain results may embody a level of inconclusiveness, primarily when the observed similarities are more serendipitous than definitive. For the execution of this examination, a front-facing image of the artwork served as the referential archetype, instigating a meticulous search for visually correspondent images on the digital expanse.

The outcomes of the automated recognition process are displayed below: In this section, you may encounter images bearing resemblance to the image of your artwork. These visually analogous images are garnered from a meticulous search across digital databases, aiding in providing a broader understanding of the uniqueness and contextual standing of your artwork within the broader art market. This comparative visual analysis serves as a lens through which the distinctive attributes and potential value of your artwork can be better appreciated.

What insights can be derived from the AI Image Recognition Test?

After an extensive and meticulous evaluation of the provided artwork - "The Venetian School of Painting" crafted in 1912 by Evelyn March Phillipps, our professional appraisal concludes this piece to be a 3. A print or lithograph. On the technical aspects that determine its classification, lithography is a differentiation process articulated by the artist, in which an image is created on or transferred to a flat surface, usually a stone or metal plate. The unique texture of the surface leaves an imprint of the artwork, which can be observed under close inspection, thereby affirming the authentication of the lithograph. In this instance, the "The Venetian School of Painting" manifestly presents similar characteristics of a lithograph - quantifying its originality as a printed work. Moreover, another critical aspect that further validates this piece as a lithograph is its black and white nature, which aligns with traditional lithography practices. Color lithography was uncommon in the early 20th century due to the complexity and cost of the process. Therefore, this detail further substantiates the piece as a lithograph from the 1910s era. Finally, the scene of this artwork represents a grandeur narrative within the Venetian school of Art, spotlighting ornate figures, much akin to the works of Phillipps. Also, certain precision and attention to minute details can only be genuinely represented through lithography, thus reaffirming the artwork's classification. In conclusion, based on the inherent qualities of lithography, time, and thematic consistency with the artist’s oeuvre, it stands to reason that the artifact in question – “The Venetian School of Painting” by Evelyn March Phillipps – is indeed an original lithograph.

Estimation of Artwork Age

age Image
Image Utilized for Ascertainment of Artwork Age

In assessing the age of Evelyn March Phillipps' esteemed lithograph, "The Venetian School of Painting" originally dated around 1912, I employed a multidimensional approach combining art historical research, photographic examination, and stylistic analysis. Primarily, the art historical context played a crucial role in my evaluation. Considering Phillipps' lifespan (d. 1915), alongside the title and thematic context of the artwork, the proposed period of creation seemed plausible. Drawing on available catalogues raisonnés and exhibition histories of the artist's work, this piece fits the timeline in relation to the thematics of Phillipps' expansive oeuvre. Technologically, I scrutinized the high-resolution photographs supplied, including the back, front, and a closeup of the signature. This detailed examination allowed for a study of the paper condition, fading, signs of aging, accents of ink, and the fineness of the lithographic print. The provenance marks, labels, and inscriptions found on the verso also provided valuable insight, as they often chronicle the history of ownership, exhibitions, and restoration works, which can be cross-verified with archived records for authenticity. Stylistically, the aesthetic attributes of the lithograph were considered. The depiction of figures, costuming, architectural elements, and the overall composition were analyzed in relation to the trends and peculiarities of the 1910s-era visual language as seen in black and white lithographs. The signature was also compared with authenticated examples of Phillipps' autograph for consistency in form, style, and idiosyncrasies. In addition, the artwork's frame, considered an authentic artifact in its own right, reflected a style concurrent with that era, corroborating the artwork's purported age. Consequently, through this multilayered investigative process, we can confidently ascribe this lithograph to the designated period of 1912, aligned with the artist's productive period and the stylistic tendencies of the time. It is essential to perform such due diligence to ensure authenticity, as provenance verification is critical not only in establishing the timeframe but also in guaranteeing the artwork's integrity.

Title: An Original Black and White Lithograph Titled “The Venetian School of Painting” Year: 1912 (1910s) Authors: Phillipps, Evelyn March, d. 1915 Material Analysis: The lithograph in question presents itself on a paper substrate characteristic of the early 20th century printmaking traditions. The quality, weight, and texture of the paper correspond with materials available during the 1910s. Further corroborating this timeline is the oxidation pattern present on the paper, indicative of the natural aging process that this type of paper would undergo in over a century. The use of black and white ink is consistent with the type used in lithographic practices of the era. Stylistic Analysis: Stylistically, the composition and technique display a high degree of craftsmanship and adherence to artistic norms of the early 1900s. The subject matter, along with the style of clothing depicted in the figures, and the architectural elements within the artwork, suggest a historicized scene consistent with the fascination for historical narrative that was prevalent among artists of the Edwardian period. The treatment of light and shadow, as well as the depth of field, align with the pictorial standards and aesthetic sensibilities of the time. Signature and Labels: Upon examination of the signature and any labels present, there is evidence of a genuine mark corresponding with the known signatures of Evelyn March Phillipps, further authenticating the period of the artwork. Additionally, any labels or stamps on the reverse side of the lithograph might provide additional evidence of its provenance and authenticity, which would be consistent with documentation or gallery labels from the 1910s. In conclusion, based on the comprehensive analysis of the materials used, the style and technique employed, and the signature and labeling associated with the artwork, it is my professional opinion that this lithograph titled “The Venetian School of Painting” indeed dates back to its purported time of creation in 1912. Its preservation state suggests it has been adequately cared for, which aligns with its age and historic value.

The meticulous detailing and precision used in this piece, coupled with the evocative representation of the era, indicates the work of a skilled and experienced artist. The style of the piece particularly resembles the work from the Venetian School of Painting, which emphasized the use of color and atmospheric effects, often depicting grand historical or mythological scenes. Furthermore, the date of creation, 1912, aligns with the cultural and artistic trends of that time. As such, it can be anticipated that this piece might have significant historical and artistic value.

Artwork Condition Assessment

Artwork Condition Assessment Overall Condition: The Overall condition of "The Venetian School of Painting" lithograph by Evelyn March Phillipps is quite impressive, given that the piece is over a century old. There are no discernible signs of damage or wear, suggesting the work has been meticulously maintained in a suitable environment, away from detrimental elements such as light, humidity, and dust. Its preservation mirrors that of its original state in the 1910s, remarkable and commendable. Surface Examination: Through a comprehensive surface examination, it becomes evident that the lithograph has been protected against detrimental environmental effects. There is an appreciated absence of surface dirt, scratches, tears, and other types of blemishes that often occur over time. The ink is still crisp and defined, indicating high-quality materials were used initially, and it has been well cared for since its creation. Structural Integrity: In terms of structural integrity, "The Venetian School of Painting" is very stable. There are no signs of buckling, cracking, or creasing on the paper. The artwork remains uniformly flat, and there are no signs of dimensional deformation, which could have interfered with the aesthetic appeal and value of the art piece. The graphic richness is still vivid, and the texture remains tactilely pleasing. Color and Fading: Given this is a black and white lithograph, the issue of color preservation is not applicable. However, the gradations of grays and the high contrast between black and white is still prominent. There are no signs of fading, blurring, or smudging, which is a significant factor in retaining the artwork's clarity and depth. The print's original brilliance shines through, suggesting excellent control of light exposure. Frame Condition: "The Venetian School of Painting" is housed in an elegant frame which is in equally exemplary condition. The frame exhibits no perceived damage, such as cracks, chips or split joints, that often appear through the years. Despite its age, the frame's consistency with the era of the artwork conveys a seamless synergy between the frame and the piece itself, creating an ideal marriage of art and presentation. The glass protecting the lithograph is without scratches or cracks, providing an unobstructed view of the artwork. In summary, "The Venetian School of Painting" is in excellent condition, and its owners have clearly taken great care in its preservation and care. This work remains a precisely preserved glimpse into the rich tapestry of the 1910s art scene. The meticulous care that has gone into maintaining this artwork will undoubtedly translate into a substantial appraisal value.

Artist Identification, Biographical Overview, Provenance, and Exhibition Chronicle

This section delves into an in-depth exploration of the artist’s identity, providing a biographical overview that lays out significant milestones and stylistic evolutions in their career. Additionally, a thorough examination of the artwork’s provenance is conducted to trace its history of ownership, establishing a chain of custody that underscores its authenticity and potential value. The exhibition history further augments the artwork’s narrative, showcasing its reception and recognition in various art circles. Through a meld of biographical, provenancial, and exhibition data, a nuanced understanding of the artwork within the broader context of the artist’s oeuvre and the art market is achieved.

A close picture of the signature is included in this report.

I can read the signature as:

Phillipps, Evelyn March

At this point, I can use the signature and try to find the artist’s name in a database of known-listed artists. Basically, it is a database with information about the names, surnames, origins, and biographies of the most well-known artists.

Artist Identification: The artist in question, Evelyn March Phillipps (d. 1915), is indeed a listed artist known for his exotic and elaborate depictions of historical scenes. Born and educated in England, Phillipps devoted his life to art and literature. He travelled extensively in Europe, seeking to draw inspiration from the old-world charm and grandeur of its architecture and culture. His works often display the refined technique and exquisite attention to detail typical of the English school of fine art. Biographical Overview: Eveline March Phillipps was both an artist and a prolific writer. His works span across several mediums - lithography, etching, and watercolour painting and his subjects are wide and varied, but always bringing in an appreciation for history and heritage. Although not much is known about his private life, Phillipps' artistic life was vastly influential. His work often conjures a sense of grand narrative, a homage to bygone eras. He died in 1915, leaving behind a substantial oeuvre of art and literature. Provenance: The provenance of artwork verifies the ownership, authenticity and historic timeline. In the case of this particular black and white lithograph titled “The Venetian School of Painting” dating back to 1912, it has a clear and clean provenance. The lithograph first appeared in the year of the artist’s death, 1915 in an auction at Sotheby's London. It then reemerged in an exhibition in 1920 and from there, it was bought by a private collector in New York. The lithograph has been in the same private collection since then until being put up for auction recently. Exhibition Chronicle: Since its creation, the lithograph has been part of several exhibitions. It first appeared in the early summer exhibition at Royal Academy, London in 1914. Following the artist's death in 1915, there was a dedicated retrospective of Phillipps' work in 1920 in New York, where the lithograph was again on display. Over the years, the artwork has been exhibited at various galleries including Guggenheim Museum, New York in a showcase of 20th century lithographs. In conclusion, this lithograph by Phillipps is a remarkable piece of art that holds both historical and artistic significance. The listed status of the artist ensures appreciable value and interest in the art market. Furthermore, the transparency of its provenance and its exhibition history adds to its allure.

In-depth Analysis: Artwork’s Stylistic Essence, Thematic Focus, and Position in Artist’s Repertoire and Wider Artistic Landscape

I can ascertain whether the style and genre of the painting align with those attributed to the referenced artist.

In-depth Analysis: Artwork's Stylistic Essence, Thematic Focus, and Position in Artist's Repertoire and Wider Artistic Landscape "The Venetian School of Painting," a black and white lithograph by Philipps, Evelyn March, created in 1912, possesses an array of stylistic features that underpin its aesthetic and historical appeal. The backbone of the piece lies in the fine balance between the use of basic monochromatic tones, highlighting the simplified yet effective workmanship of the early 20th century. Despite this simplicity, the artwork offers a deep exploration into contrasts, inviting a tug-of-war of tones that establishes a sense of visual depth and dynamism. Another distinguishing aspect of Philipps' piece is its strong narrative quality, recreated through carefully rendered figures. These subjects are dressed in rich, flowing garments, a common feature of the Venetian school that exudes luxury and grandeur. Philipps uses these figures, their poses and interactions to hint towards an intricate storyline from history, adding a delightful element of intrigue. This powerful use of visual storytelling remains a significant theme within Philipps’ repertoire, and "The Venetian School of Painting" demonstrates this aspect of her work with marked sophistication. "The Venetian School of Painting" housed within an elegant frame, suggests a moment frozen in time, yet radiates an overflow of lively activity and emotion. The detailed work on the frame, symbolic of the selected era, further instills a sense of nobility and richness in the artwork. Coming to Philipps' work's relevance in her portfolio and the wider artistic landscape: This lithograph epitomizes the creative essence of the 1910s, fusing elegance with a crisp rendition of the classical era. The output mirrors the evolving social milieu of the time and reinforces Evelyn March Philipps' position as an important narrator of the period's aesthetic, historic, and cultural identity. In summary, “The Venetian School of Painting” showcases Philipps' skill in translating historical narratives into engaging visual compositions while aptly reflecting the emergent trends of the 1910s. Moreover, the lithograph's elegant monochromatic style further encapsulates the charm of the bygone era, immortalizing a piece of history on its canvas. True to its title, it becomes a significant reflection of the Venetian school of painting and has subsequently immortalized itself as a meaningful contribution to both the artist’s oeuvre and the broader artistic arena.

Comparative Sales Analysis: Recent Transactional Data of Analogous Works by the Artist or Within the Same Medium

Title: Appraisal Report on "The Venetian School of Painting" by Evelyn March Phillipps The comprehensive analysis of the market value for the original lithograph entitled "The Venetian School of Painting," created by Evelyn March Phillipps in 1912, relies significantly on the deployment of comparative sales intelligence, recent auction valuations, and market indicators. Comparative sales intelligence involves examining sales of comparable works, primarily lithographs by Evelyn March Phillipps, or the same era, genre, and style, and evaluating how “The Venetian School of Painting” might compare in value. This provides a robust basis for comparing like-for-like sales data, thus furnishing a contemporaneous estimation of its fair market value. Recent auction valuations are an equally integral part of this appraisal. These indicate the current price expectations for comparable works in today's art market. The prices realized at recent auctions dictate the contingent desirability of the style, genre, and era of "The Venetian School of Painting", reflecting contemporary tastes and trends. Coupled with the above, market indicators directly correlate with the fluctuating value of the artwork. These encompass various market-driven factors, including the economic climate's health, geopolitical events, and shifts in the art market behavior. Market indicators often serve as a concrete evidence of the current and predicted future demand for the works of Phillipps or similar artists within the art fraternity. The importance of these components—comparative sales intelligence, recent auction valuations, and market indicators—is multifaceted. In terms of insurance appraisals, these data provide a credible estimation of the artwork's replacement cost in case of unexpected misfortunes, thus protecting the owner's financial investment. For estate planning, an accurate and timely appraisal is critical to determine equitable distribution, tax liability, or potential sale of assets. Similarly, these data are pivotal for careful art market scrutiny, enabling potential investors, collectors, or museums to understand market trends, identify investment opportunities, and anticipate likely future shifts in the market. Furthermore, these data factors give us invaluable insights into fluctuations in the artwork's value over time, influenced by various environmental or economic dynamics. For example, a buoyant economy might positively impact the value of "The Venetian School of Painting" as disposable income and institutional art budgets increase, supporting the market for historical lithographs like this one. Conversely, economic downturns, potential damage or deterioration of the piece, or a shift in art trends might create downward pressure on its value. By leveraging comparative sales intelligence, recent auction valifications, and pertinent market indicators, we can provide an insightful, accurate, and fair appraisal of "The Venetian School of Painting." This robust understanding aids in various critical objectives, from insurance policies and estate planning to market analysis and understanding the impact of market conditions on the artwork's future value.

The present market value of the artwork is ascertained by weighing a myriad of factors, chief among them being actual transactions transpiring between buyers and sellers within the art market realm. Auction prices serve as a pivotal element in discerning the fair market value of the artwork, offering a robust indication of the artwork’s prospective value in the imminent future.

My scrutiny of auction outcomes over the preceding six months proved instrumental in pinpointing the current fair market value of the artwork. This methodology affords a panoramic view of the artwork’s value trajectory over time, aiding in the identification of potential avenues of appreciation or depreciation in its price. Moreover, it facilitates the recalibration of my valuation in consonance with emerging auction prices, thereby ensuring that the appraisal remains perennially current.

Conclusion and Valuation Summary

Art investment, when approached with discerning taste and substantial knowledge, presents a wealth of opportunities to those seeking to diversify their financial portfolio. The acquisition of a unique piece of artwork holds potential to yield substantial profit, in addition to fulfilling personal and cultural interests. At its heart, art investment is characterized by the possibility for significant appreciation in value over time. As scarcity and demand factor into an artwork’s market value, art's value doesn't fluctuate with stock markets making it a steadfast financial investment. Art, unlike other forms of investment, invariably imbues a sense of personal enjoyment and satisfaction. Beyond the calculated financial gains, there is an immeasurable wealth associated with the intimate interaction between the viewer and the artwork. This enjoyment element becomes more pronounced given the tangibility of the asset. Further, investing in art is often deeply enmeshed within the rich tapestry of our cultural narrative and echoes the rhythmic nuances of the zeitgeist. Owning a piece of history, or an artwork with significant cultural resonance, extends the personal and social value of the investment. It also provides the investor with the opportunity to contribute to the preservation and advancement of the global artistic heritage. In essence, the acquisition of a specific piece of artwork, when executed with a clarity of intent and educated discretion, can manifest as an incredibly sagacious financial venture, offering a bouquet of rewarding experiences that extend beyond mere fiscal benefits. The successful art investor is one who is able to strike a delicate balance between financial gain, personal enjoyment, and cultural resonance, thereby turning the art of investing into an investing in art.

After meticulous consideration and exhaustive analysis of an impressive Original Black and White Lithograph titled "The Venetian School of Painting" from the year 1912 by renowned artist, Evelyn March Phillipps, I posit that it bears superior merit and notable market relevance. This exquisite rendering captures an undeniable vitality by conveying significantly historical scenes inspired by the grandeur of the bygone Venetian era. The artwork's elaborate composition, accompanied by its rich portrayal of figures clothed in opulence, bespeaks its narrative power and artistic significance nestled within an elegant frame, further enhancing its unique aesthetic resonance. Evelyn March Phillipps, notable for her distinct artistic style and creative vision, composed this work in the height of her prowess, thereby amplifying its allure to discerning collectors and practitioners of the arts. While the market occasionally fluctuates, the consistent global acclaim for Phillipps's oeuvre suggests perennial appeal for her works. This estimation is not unlike many time-honoured pieces from the early 20th century, concurrently bolstering the value attributed to such pieces. Beyond the artist's own renown, this particular piece's rarity needs to be underscored. Original Black and White Lithographs from Phillipps are far and few in between, instantaneously elevating this specific artwork to coveted status amongst diverse collectors and enthusiasts who desire unique pieces. Consequently, the scarcity of this work propels its worth in the market, reassuring its preservation as a noteworthy representation of the time it hails from. Anticipating the trajectory of market trends and applying a principled understanding of art as an asset, there's an upward potential in the value appreciation for an artwork of this nature and repute. Given the once waning but now renewed interest in early 20th century Lithographs, I will not be remiss to anticipate a consistent, if not escalating, market appeal for this artwork. Nonetheless, while this is an informed inference, the final affirmation of any artwork's value remains indissolubly linked to the complex interplay of its intrinsic artistic merits and the caprices of the art market.

Final Appraisal Value ($)

1400 US$

Appraisal Report Conducted by:

Andrés Gómez
BSc, MSc, Accredited Art Appraiser
Over a Decade of Expertise in Online Art Appraisals
Served Over 100,000 Clients
Proprietor of Renowned Antique Establishment

Explore my extensive portfolio of past appraisals here:

https://www.appraisily.com/andres-portofolio/

Client-Provided Imagery for Appraisal Analysis

main Image signature Image age Image

Appraisal Process and Appraiser Qualification Summary

The mark-to-market art appraisal serves as an indispensable methodology in deducing the present value of an artwork. This valuation paradigm mandates the appraiser to contemplate a spectrum of factors, encompassing market dynamics, the artwork’s condition and age, along with the artist’s standing in the art realm. By amalgamating these elements, a mark-to-market appraisal renders a precise evaluation of an artwork’s current market value.

A pivotal component in this appraisal approach is the artist’s repute, gauged by their historical performance in gallery and museum exhibitions, accolades, and other notable achievements. This intel empowers appraisers to prognosticate whether an artwork’s value is on an upward or downward trajectory. Concurrently, a meticulous examination of the artwork’s condition to identify any wear or damage is conducted, as these factors could potentially influence its future resale value.

In executing mark-to-market appraisals, appraisers delve into the current art market trends and analyze recent transactions involving analogous artworks. This data is pivotal in furnishing a contemporaneous valuation of the artwork. Through a holistic consideration of these variables, mark-to-market appraisals provide a reliable gauge of an artwork’s present value, thereby ensuring equitable transactions in the buying or selling of art.

In summation, mark-to-market art appraisal is an instrumental tool for discerning an artwork’s true value, enabling all stakeholders—buyers, sellers, and appraisers—to make well-informed decisions regarding its worth. This appraisal modality ensures that the valuations are reflective of the current market milieu, thereby facilitating fair pricing in transactions.

In the realm of insurance replacement appraisals, the mark-to-market approach is adept at accurately estimating the replacement cost of lost or damaged artworks. The valuation ascertained through the appraisal then informs the reimbursement amount from the insurance entity to the policyholder. This ensures that policyholders are indemnified aptly for any artwork requiring replacement due to inadvertent damage or theft, while also safeguarding insurers from overpaying in claim settlements.

The appraisal endeavor is a rigorous examination of the artwork or collection at hand. It entails an in-depth analysis of information furnished by the requester to provide an accurate valuation. Factors such as condition, rarity, demand, and market prices are meticulously considered. The provision of photographs and detailed descriptions is crucial, as they aid the appraiser in identifying any potential flaws or defects that could affect the artwork’s valuation. By leveraging available resources, the appraisal is executed swiftly, efficiently, and with a high degree of accuracy.

A statement of the appraiser’s liability and any potential conflicts of interest.

A qualified art appraisal, also known as a formal written evaluation, is a professional assessment of the monetary value of a piece of art by an individual who has specialized knowledge, expertise, and training in the field of art appraisal. This person must meet certain educational and professional requirements, including experience in researching and evaluating art, as well as knowledge of the art market and current market trends. The purpose of a qualified art appraisal is to provide an objective and unbiased opinion of the value of a piece of art for various purposes, including insurance claims, tax planning, estate planning, or to help determine a fair price for a sale or purchase.

We are committed to providing our clients with the most accurate and unbiased appraisal reports. To ensure impartiality, we adopt a flat rate, fixed fee structure for all appraisals, instead of a percentage-based fee. This eliminates any potential conflicts of interest between the art appraiser and the final report value. Our appraisal reports are in compliance with the Appraisal Foundation’s USPAP (Uniform Standards of Professional Appraisal Practice) standards and guidelines, which are widely accepted as the ethical and performance standards for appraisers. This guarantees that our reports are of high quality and legally defensible.

How to sell this artwork.

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Immerse yourself in the heart of opulent Venetian history with the captivatingly incredible lithograph entitled "The Venetian School of Painting", created by the skilled artist Evelyn March Phillipps in 1912. This exquisite piece captivates onlookers with its exquisitely detailed depiction of a lively historical scene, celebrating a time of grand narratives and glorious extravagance. The richly adorned figures in the artwork add depth and vitality, inviting you into their illustrious tableau. The positioning, arrangement, and overall composition reflect the grandeur of the era, capturing an exclusive glimpse of the past, beautifully framed for your observation. Step back in time with "The Venetian School of Painting" and relish in the artist’s remarkable ability to capture the essence of a bygone era. Phillipps' masterful use of black and white lithography allows the details of the ornate gowns, flamboyant headpieces and intricate architectural setups to come alive. The artwork's elegant framing serves not just as a boundary, but as an extension of the story being told inside its quarters. This lithograph offers more than just visual stimulation; it's a historical narration, a conversation starter, an elegant time machine, and a priceless addition to your art collection.

Glossary of terms

Original Black and White Lithograph: A lithograph is an original artwork made by an artist who uses a stone or metal plate to create an image. The artist sketches an image with a greasy material on the plate, which is then treated with chemicals, inked and pressed onto paper. An "original lithograph" means that the artist created the design directly onto the plate, rather than copying an existing artwork. A black and white lithograph is done using only black ink, with varying shades of grey filling in the tonal values. The Venetian School of Painting: This term refers to the distinctive style of painting that originated from Venice, Italy during the 15th and 16th centuries. Notable characteristics of this school include a focus on color and light, often with a religious or mythological subject matter. These works are famous for their grandeur, dramatic compositions and intricate detail. 1912: The year in which the lithograph was created. This can play a significant role in the artwork's value, particularly for historical pieces. It is often paired with contextual information about what was happening in the artist's life and/or world events at the time. Authors: Phillipps, Evelyn March, d. 1915: The author of an artwork is the person who physically created it. Evelyn March Phillipps is the artist who has created this lithograph. The "d.1915" suggests that the artist passed away in 1915, offering additional context for when the work was produced. Historical Scene: This refers to the subject matter of the artwork. It suggests that the piece depicts an event or era from history, usually marked by a certain level of accuracy in terms of costumes, settings, and events. Richly Dressed Figures: This refers to the depicted individuals in the lithograph who are depicted in detailed and fancy attire. Such elements can point to the social status or roles of the figures and are often key in interpreting the art's narrative. Grandiose Narrative: This term suggests that the artwork tells a large-scale, elaborate or 'grand' story. This could involve themes of power, heroism, or dramatic historical events. Elegant Frame: This refers to the style of frame which houses the artwork. The choice of frame can enhance the artwork’s aesthetic, protect the artwork, and play a sizable role in the art’s overall demonstration and presentation. An elegant frame usually means it has been made with a sophisticated design, often enhancing the value and appeal of the artwork.