Skip to content
Home » 6388d5b4c6fb5

6388d5b4c6fb5

Andres G

Andres G

BSc, MSc, Expert Appraiser of all kinds of Antique items. More than 10 years of experience in the Appraisal Industry, 100k+ customers served with exceptional ratings by the users. Antique store owner and businessman.

A large Handcarved Wooden Cabinet

Related Appraisals

The painting features an Impressionistic style with visible brushstrokes creating a sense of movement. It depicts two ladies in a garden, one reading and the other standing, within a dappled light setting. The composition evokes a peaceful, leisurely atmosphere, characteristic of late 19th to early 20th century. This is an After rederick Carl Frieseke (1874–1939) Impresionist American Artist Titled Lilies painting originally made in 1911.

This appraisal report furnishes a meticulous and impartial assessment of… Read More »The painting features an Impressionistic style with visible brushstrokes creating a sense of movement. It depicts two ladies in a garden, one reading and the other standing, within a dappled light setting. The composition evokes a peaceful, leisurely atmosphere, characteristic of late 19th to early 20th century. This is an After rederick Carl Frieseke (1874–1939) Impresionist American Artist Titled Lilies painting originally made in 1911.

The painting depicts a stylized portrait with a pop art influence, incorporating bold lines and contrasting colors. The background patterns suggest a blending with street art aesthetics, producing a contemporary urban feel. The face is expressive, with a slight Warhol-esque sensibility. The work seems to be modern, possibly late 20th or 21st century. Artist is Frank Shepard Fairey (Obey) this is a known portrait titled “DEBBIE HARRY” originally made circa 2005. Assumed it is the original oil painting.

Protected: This is an impressionistic landscape painting depicting a wintry scene with sparse vegetation. Characterized by loose brushwork and a limited, muted palette, the painterly technique conveys the chilly atmosphere and bareness of the season. The age and origin of the work are not determinable from the image provided.

There is no excerpt because this is a protected post.

Protected: The painting depicts a wintery, semi-bucolic landscape with an impressionistic touch—the application of paint energetic and loose. A palette of muted blues and ivories contrasts with warm amber tones, suggesting a season’s fleeting warmth. In the foreground, bare trees and shrubs punctuate the snow, leading the eye towards distant buildings. The work emits a quietly hushed atmosphere characteristic of winter’s repose.

There is no excerpt because this is a protected post.

Protected: The painting depicts a wintery, semi-bucolic landscape with an impressionistic touch—the application of paint energetic and loose. A palette of muted blues and ivories contrasts with warm amber tones, suggesting a season’s fleeting warmth. In the foreground, bare trees and shrubs punctuate the snow, leading the eye towards distant buildings. The work emits a quietly hushed atmosphere characteristic of winter’s repose.

There is no excerpt because this is a protected post.

The painting “Fishing Boats at Dusk” by Ernst Lorenz-Murowana, circa 1930, is a moody marine scene that portrays the quietude and subtle activity of fishing boats against the backdrop of an overcast sky. Lorenz-Murowana’s use of a pseudonym indicates a complex artistic identity, common among artists for various reasons, including exploring different styles or themes without the constraints of their established reputation. The canvas captures the waning light of dusk with a muted palette, emphasizing the silhouettes of the boats and their sails. The brushwork conveys both the movement of the water and the tranquility of the scene. The painting’s atmosphere is reflective of the period’s artistic trends, where evocative landscapes and seascapes were popular, often imbued with a sense of nostalgia or romanticism.

This appraisal report furnishes a meticulous and impartial assessment of… Read More »The painting “Fishing Boats at Dusk” by Ernst Lorenz-Murowana, circa 1930, is a moody marine scene that portrays the quietude and subtle activity of fishing boats against the backdrop of an overcast sky. Lorenz-Murowana’s use of a pseudonym indicates a complex artistic identity, common among artists for various reasons, including exploring different styles or themes without the constraints of their established reputation. The canvas captures the waning light of dusk with a muted palette, emphasizing the silhouettes of the boats and their sails. The brushwork conveys both the movement of the water and the tranquility of the scene. The painting’s atmosphere is reflective of the period’s artistic trends, where evocative landscapes and seascapes were popular, often imbued with a sense of nostalgia or romanticism.

This lithograph, part of Joan Miró’s “Gaudi Series #28,” showcases the artist’s signature abstract style with vibrant colors and whimsical shapes, reminiscent of Antoni Gaudí’s influence. Miró often drew inspiration from his Catalan heritage, as did Gaudí, which is reflected in the organic and surreal forms in this piece. The limited edition size, one of only 50, underscores its exclusivity. The dimensions suggest a substantial work, allowing the viewer to fully engage with its bold forms and playful yet sophisticated composition. Miró’s lithographs are celebrated for their imaginative approach and innovative use of color and form.

This appraisal report furnishes a meticulous and impartial assessment of… Read More »This lithograph, part of Joan Miró’s “Gaudi Series #28,” showcases the artist’s signature abstract style with vibrant colors and whimsical shapes, reminiscent of Antoni Gaudí’s influence. Miró often drew inspiration from his Catalan heritage, as did Gaudí, which is reflected in the organic and surreal forms in this piece. The limited edition size, one of only 50, underscores its exclusivity. The dimensions suggest a substantial work, allowing the viewer to fully engage with its bold forms and playful yet sophisticated composition. Miró’s lithographs are celebrated for their imaginative approach and innovative use of color and form.

Picasso’s “Bacchanale” is a 1959 linocut, vividly capturing a wild celebration in bold forms and dynamic patterns, reflecting the energy of a bacchanal. This sizable piece showcases Picasso’s innovative printmaking and his ability to convey movement and festivity.

This appraisal report furnishes a meticulous and impartial assessment of… Read More »Picasso’s “Bacchanale” is a 1959 linocut, vividly capturing a wild celebration in bold forms and dynamic patterns, reflecting the energy of a bacchanal. This sizable piece showcases Picasso’s innovative printmaking and his ability to convey movement and festivity.

This abstract piece, likely from the 1980s, features energetic splashes of yellow and red on folded paper, housed in a deep plexiglass box. The Tikal mark hints at an anonymous artist, possibly Israeli with ties to Germany, (Tikal (feminine: Tikalová) is a Czech surname) embodying the era’s experimental spirit. It is an Original Mixed Media in Yellow, black and red Colors.

This appraisal report furnishes a meticulous and impartial assessment of… Read More »This abstract piece, likely from the 1980s, features energetic splashes of yellow and red on folded paper, housed in a deep plexiglass box. The Tikal mark hints at an anonymous artist, possibly Israeli with ties to Germany, (Tikal (feminine: Tikalová) is a Czech surname) embodying the era’s experimental spirit. It is an Original Mixed Media in Yellow, black and red Colors.