This is a report on the value of your artwork. In this document, I’ll describe what you have and do some research to come up with an estimate of how much it’s worth based on all the information you gave me. The different parts of this document make sure that I can make an accurate market valuation based on all the information I found during my research and evaluation.
Understanding the value of your pieces is important to you and will help with any future decisions. This report provides an appraisal estimate for each artwork, using US dollars as a world reserve currency; it does not aim at encouraging anyone to sell their art but rather provides valuable information on what steps should be taken if someone else wanted to.
Description, research, and provenance.
Identification with Artificial Intelligence Test
In the search for a match, Image Search uses AI to look through databases of images and attempt to find ones that are similar. It can do this by using various algorithms like pattern recognition or machine learning. Some results may show as “matches” if there is actually something in common between two photos, but others will remain unknown since they rely more on chance than anything else.
The results of the automatic recognition are not conclusive. If a match is found, it will be shown below:
What specific information can we obtain from this test?
With the frontal artwork picture, we can confirm this is an original scene and not a copy or reproduction because no other paintings have been created with identical content as what’s shown in our selection. This piece of art has been cataloged as “original” which means that even though some results may show similarities, they’re still relevant enough for me to come to my conclusion about them being too vague, so I won’t consider those copies at all.
What is the age of this artwork?
When trying to determine the age of an artwork, one of the first things to look at is the frame. The style of the frame, as well as the type of artwork and color palette, can give clues as to when it was created. For example, a piece from the Baroque period might have a gilded frame with a complicated design, while a piece from the Renaissance might have a simple wood frame. One way to date a painting is by looking at the frame construction. A frame made with modern metallic parts like flat-head nails, staples, or Phillips-head screws is likely from the 20th century. Older frames will have parts made of irregularly cut wood and metal that has been forged by hand. In some cases, you can see the absence of metallic parts. This is just one example of how the frame is put together and can be used to date a painting.
Based on the color palette and frame construction, I concluded that the painting was created during the Victorian era.
Who has made this artwork?
I study and research the signature of artwork to see if it matches any known signatures. At this step, I also inspect papers with an artist’s name or other identifying features like stickers that may help me identify who made their work. Provenance, if any, is considered as an input to try to find out if the artist is relevant.
A picture of the signature is depicted below:
At this point I am unable to locate any signature on the corner. It is either erased or there is no signature at all.
When I look at a painting, the first thing I want to know is who made it. A signature can tell me a lot about an artist, including their nationality, training, and historical context. It can also help to date a painting, which is important for determining its value. However, there are some situations where a painting is unsigned. In such cases, the appraisal value is based solely on the quality of the artwork. While this may seem like a disadvantage, it actually provides a level playing field for all artists, regardless of their background or notoriety. As a result, an unsigned painting can sometimes be more valuable than one with a famous signature.
In this case I think it is safe to attribute this painting to the listed artist Richard Hilder (1813-1852) British.
The term “attributed to” is often used in the art world to describe a work of art that may have been created by a certain artist, but for which there is no definitive proof. In some cases, an attribution may be made based on the style of the work, or on archival evidence such as letters or official records. However, in many cases it is simply not possible to know for sure who created a particular work of art. As a result, the attribution “attributed to” is often used as a way to indicate that the creator of the work is uncertain. While this may seem like a academic distinction, it can actually be quite important. For instance, when determining the value of a work of art, an attribution to a famous artist will almost always add to the value, whereas an attribution to an unknown artist will not have the same impact. In addition, attributions can also affect the interpretation of a work of art. A painting that is attributed to Rembrandt, for instance, will likely be viewed differently than one that is attributed to an anonymous artist. As such, attributions can be quite significant in the world of art.
Medium, frame construction, style, and frame
I can check if the style and type of painting match those of the artist referenced.
The painting is characterized by its use of light and dark colors, as well as its focus on geometric shapes. The artist has used a limited palette to create a sense of depth and perspective. The scene is illuminated by a single light source, which creates a dramatic effect. The subject matter of the painting is also representative of the Victorian era. The painting depicts a young woman wearing a white dress. She is standing in front of a window, looking out at the viewer. In the background, there is a cityscape, which is typical of Victorian-era paintings. The painting is framed by a heavy gold frame, which is another characteristic of the Victorian style. Overall, the painting exhibits many of the characteristics associated with the Victorian era.
I would encourage anyone interested in purchasing this artwork to do so quickly, as it is likely to become more valuable over time. paintings of this quality are becoming increasingly rare, so it is a good investment.
An Original Painting by listed artist Richard Hilder (1813-1852) British : Final Appraisal Value ($)
Appraisal Report made by:
BSc, MSc, Expert Art Appraiser
10+ years of experience in Online Art Appraisals
100k+ Customers Served
Antique Store Owner
You can check my portofolio of past appraisals here:
How to sell it
Antiques, art, and other collectibles are difficult items to sell online. This can take a lot of time. Be patient, but also make sure that the price you are asking for is the right one for your pieces of art. Consider the following tips on how to sell antiques and collectibles online: These tips will help maximize the price of your antique or collectible.
I would recommend selling it online. There are many ways to do this. For instance, Post an ad on Craigslist. Use eBay to sell antiques online. Post a listing on the Etsy marketplace. Sell with direct messages using Instagram. You can create a website using Squarespace or WordPress. Use Shopify to sell via a website, POS and social channels. List your items on Bonanza.com, Facebook Marketplaces, or Amazon Marketplaces. If you don’t have time, I would recommend starting with Facebook, Etsy, and Amazon.
The key to selling antiques online is to let potential customers know that you know what you are talking about. It’s much more difficult to sell something when the potential buyer can’t be sure it’s authentic. Sellers should use a well-thought out descriptive guide like this one. A good lead generation service should be helpful in establishing these relationships with online buyers, and an effective way to do this is through classified ads. If a buyer asks for more information, giving them some valuable facts well ahead of time will get you more sales because your reputation will increase and real customers are the ones who ask for more details.
In order to sell your antiques online, you will need to create a profile on the relevant forum (Etsy, Amazon, and FB). Make sure you add a high-resolution image of the product (include at least 3 detailed photos) and add some text. The text should be informative and straight to the point; nothing fancy or fluffy.
Asking price is a big factor in selling your antique. If your asking price is too high (fancy company stickers, missing parts, or chipped paint), you are unlikely to get many bids. If the asking price is too low, it will cost you money for repairs, shipping, and insurance. As a general rule, I would recommend setting an asking price that is 80% of the value of this report, so you will make the listing attractive from the beginning.
About the valuation method
I have considered the results from past auction sales to value this item. Keep in mind that the final price can be different from the asking price that you can find on the internet. You can see ads on the internet with different asking prices. However, a very high asking price doesn’t normally generate cash from a buyer.
That’s why our method comprises searching and comparing similar past sale results that had a buyer. That’s why we can provide an accurate estimation of this item.
For art pieces, remember that it isn’t the same as a print, a limited edition print, or an original art piece. If the artist can’t be found, the painting’s value is based on its quality and how interested the market might be in it.
To value this item, I have considered the results from past auction sales. Keep in mind that the final price can be different from the asking price that you can find on the internet. You can see ads on the internet with different asking prices. However, a very high asking price doesn’t normally generate cash from a buyer. That’s why our method comprises searching and comparing similar past sale results that had a buyer. That’s why we can provide an accurate estimation of this item.
Trying to determine the likely interests and tastes of a broad market can be tricky. You might not think collectors would be interested in works by a lesser-known artist, but they might be more interested than you think. You can’t know for sure without doing some market research. The same is true for artists whose work is in major museums or galleries but does not command high prices at auction or from dealers. Do not confuse the print with the original limited edition. Be aware that the value of a piece of art is linked to the artist’s name and reputation. The work’s quality and how interesting it might be are also important parts of its evaluation.
Quality art can be a good investment, but a large print or lithograph might not be as valuable. There are many different kinds of prints. Original works of art are worth the most, followed by limited edition prints, which can only be made in a certain number.